{"id":1094,"date":"2016-12-30T03:25:16","date_gmt":"2016-12-30T02:25:16","guid":{"rendered":"http:\/\/www.revistaelhipogrifo.com\/?page_id=1094"},"modified":"2024-09-18T08:11:10","modified_gmt":"2024-09-18T07:11:10","slug":"numero-6-2do-semestre-2016","status":"publish","type":"page","link":"https:\/\/www.revistaelhipogrifo.com\/?page_id=1094","title":{"rendered":"06 [2016]"},"content":{"rendered":"
ISSN 2420-918X <\/em><\/span><\/strong><\/h5>\n
\/\/\/ EL HIPOGRIFO HISP\u00c1NICO<\/strong><\/span><\/h5>\n
Marilicia Di Paolo e Jacopo Varchetta.<\/strong><\/span> L\u2019intervista come racconto: l\u2019esperienza autobiografica e la coscienza femminile della donna del tardofranchismo <\/span><\/em>1-17<\/a><\/strong><\/span><\/h5>\n

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\/\/\/ ESTUDIOS MARECHALIANOS <\/strong><\/span><\/h5>\n
Lucia Gerbino. <\/strong><\/span>La coscienza apocalittica di Leopoldo Marechal come experimentum mundi <\/em>18-24<\/a><\/span><\/strong><\/span><\/h5>\n

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\/\/\/ EL HIPOGRIFO IT\u00c1LICO<\/strong><\/span><\/h5>\n
Augusto Guarino.<\/strong><\/span> La isla de las sirenas. Appunti su Capri e gli scrittori spagnoli <\/em>25-44<\/a><\/strong><\/span><\/span><\/h5>\n
Daniele Santobianchi.<\/strong><\/span> Palabras con Antonio Melis<\/span> (in memoriam) <\/span><\/em>45-47<\/a><\/strong><\/span><\/h5>\n
Mar\u00eda Isabel Zwanck.<\/strong><\/span> De la Italia medieval a la Pampa Gringa: ecos franciscanos en la l\u00edrica de Jos\u00e9 Pedroni <\/em>48-61<\/a><\/strong><\/span><\/span><\/h5>\n

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\/\/\/ CONFERENCIAS <\/strong><\/span><\/h5>\n
Mirta Y\u00e1\u00f1ez.<\/strong><\/span> Gertrudis G\u00f3mez de Avellaneda: m\u00e1scaras y subversiones <\/em>62-68<\/a><\/span><\/strong><\/span><\/h5>\n

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\/\/\/ MISCEL\u00c1NEA <\/span> <\/strong><\/h5>\n
Carla Cort\u00e9s M\u00e1rquez. <\/strong><\/span>Aguas e identidades en \u00abMalambo\u00bb de Luc\u00eda Char\u00fan Illescas y \u00abYo, Tituba, la bruja negra de Salem\u00bb de Maryse Cond\u00e9 <\/em>69-81<\/a><\/strong><\/span><\/span><\/h5>\n
Jes\u00fas G\u00f3mez de Tejada.<\/strong><\/span> El poder en \u00abEl se\u00f1or presidente\u00bb de Asturias: l\u00edmites y mecanismos <\/em>82-95<\/a><\/strong><\/span><\/span><\/h5>\n
Celina Manzoni.<\/strong><\/span> Norah, Macedonio y los giros de la autobiograf\u00eda <\/em>96-111<\/a><\/strong><\/span><\/span><\/h5>\n
Djibril Mbaye. <\/strong><\/span>Pintura y m\u00fasica en la obra de C\u00e9sar Aira <\/em>112-123<\/a> <\/strong><\/span> <\/em><\/span><\/h5>\n
Adriana Mabel Porta. <\/strong><\/span>La construcci\u00f3n literaria de los textos criminales tardo-coloniales: el espa\u00f1ol bonaerense en las voces de los testigos <\/em>124-137<\/a> <\/strong><\/span>     <\/em><\/span><\/h5>\n
Mauricio Pulecio. <\/strong><\/span>Al cuidado de las mucamas: la \u00e9tica en la literatura sobre ayas negras colombianas <\/em>138-152<\/a><\/strong><\/span><\/span><\/h5>\n
Daniel Raffini. <\/strong><\/span>Intertestualit\u00e0 ed erudizione nei bestiari ispanoamericani <\/em>153-165<\/a><\/strong><\/span><\/span><\/h5>\n

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 <\/em>\/\/\/ CREACI\u00d3N<\/strong><\/span><\/h4>\n
Federico D\u00edaz-Granados (COLOMBIA).<\/strong><\/span> \u00abPeque\u00f1o nocturno\u00bb y otros poemas <\/em>166-168<\/a><\/strong><\/span><\/span><\/h5>\n
Luis Garc\u00eda Montero (ESPA\u00d1A). <\/strong><\/span>Tres poemas in\u00e9ditos: \u00abVentanas cerradas\u00bb, \u00abCamino de sombras\u00bb y \u00abT\u00fa y yo (habitaci\u00f3n 311)\u00bb <\/em>169-171<\/a><\/strong><\/span><\/span><\/h5>\n
Antonio Guti\u00e9rrez (ARGENTINA).<\/strong><\/span> \u00abTodos bailaban\u00bb y otros poemas <\/em>172-174<\/a><\/strong><\/span><\/span><\/h5>\n
Ram\u00f3n Mart\u00ednez L\u00f3pez (ESPA\u00d1A). <\/strong><\/span>\u00ab<\/em><\/span>Cercado estoy mujer en tu universo<\/em><\/span>\u00bb y un poema in\u00e9dito <\/em>175-178<\/a><\/strong><\/span><\/span><\/h5>\n
Ernesto Sierra (CUBA).<\/strong><\/span> Tarde sobre tu cabeza <\/em>179-180<\/a><\/strong><\/span><\/span><\/h5>\n
Julio Torres-Recinos (EL SALVADOR).<\/strong><\/span> El exilio y otras andanzas <\/em>181-183<\/a><\/strong><\/span><\/span><\/h5>\n

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 \/\/\/ RESE\u00d1AS<\/span><\/strong><\/h5>\n
Fernanda Elisa Bravo Herrera.<\/span> <\/strong>La fiesta de la Modernidad: la revista argentina \u00abCaras y Caretas\u00bb entre 1898 y 1910, de Ana Mora\u00f1a <\/em>184-186<\/a><\/strong><\/span><\/span><\/h5>\n
Graciela Caram Catalano.<\/strong><\/span> Variazioni sulla rosa, de Antonio Catalfamo <\/em>187-189<\/a><\/strong><\/span><\/span><\/h5>\n
Giuseppe Gatti Riccardi.<\/strong><\/span> Gli effimeri regni di questo mondo. La narrativa di Alejo Carpentier, de Giuseppe Bellini (in memoriam) <\/span><\/em>190-192<\/a><\/strong><\/span><\/span><\/h5>\n
Carlos Hern\u00e1n Sosa. <\/strong><\/span>Regreso en breve, de Lucila Lastero <\/em>193-195<\/a><\/strong><\/span><\/span><\/h5>\n
Fernanda Elisa Bravo Herrera. <\/strong><\/span>Mario R. Vecchioli. Una pipa, una gesta y la reiteraci\u00f3n de la poes\u00eda, de Adriana Crolla (selecci\u00f3n y estudio preliminar) <\/em><\/span>196-198<\/a><\/strong><\/span><\/h5>\n

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CdH est\u00e1 indexada en las siguientes bases de datos: Latindex, Redial, Ceisal, Road, Hispanismo Cervantes.<\/em><\/span><\/h5>\n
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CdH forma parte de Latinoamericana. Asociaci\u00f3n de revistas acad\u00e9micas de humanidades y ciencias sociales<\/em><\/span><\/h5>\n
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ISSN 2420-918X  \/\/\/ EL HIPOGRIFO HISP\u00c1NICO Marilicia Di Paolo e Jacopo Varchetta. L\u2019intervista come racconto: l\u2019esperienza autobiografica e la coscienza femminile della donna del tardofranchismo 1-17 \/\/\/ ESTUDIOS MARECHALIANOS  Lucia Gerbino. La coscienza apocalittica di Leopoldo Marechal come experimentum mundi 18-24 \/\/\/ EL HIPOGRIFO … Sigue leyendo →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n06 [2016] - Cuadernos del Hipogrifo<\/title>\n<meta name=\"robots\" content=\"index, follow\" \/>\n<meta name=\"googlebot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"bingbot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1094\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"06 [2016] - Cuadernos del Hipogrifo\" \/>\n<meta property=\"og:description\" content=\"ISSN 2420-918X  \/\/\/ EL HIPOGRIFO HISP\u00c1NICO Marilicia Di Paolo e Jacopo Varchetta. L\u2019intervista come racconto: l\u2019esperienza autobiografica e la coscienza femminile della donna del tardofranchismo 1-17 \/\/\/ ESTUDIOS MARECHALIANOS  Lucia Gerbino. La coscienza apocalittica di Leopoldo Marechal come experimentum mundi 18-24 \/\/\/ EL HIPOGRIFO … Sigue leyendo →\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1094\" \/>\n<meta property=\"og:site_name\" content=\"Cuadernos del Hipogrifo\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-18T07:11:10+00:00\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/\",\"name\":\"Cuadernos del Hipogrifo\",\"description\":\"REVISTA SEMESTRAL DE LITERATURA HISPANOAMERICANA Y COMPARADA\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.revistaelhipogrifo.com\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1094#webpage\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1094\",\"name\":\"06 [2016] - Cuadernos del Hipogrifo\",\"isPartOf\":{\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\"},\"datePublished\":\"2016-12-30T02:25:16+00:00\",\"dateModified\":\"2024-09-18T07:11:10+00:00\",\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1094\"]}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1094"}],"collection":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1094"}],"version-history":[{"count":62,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1094\/revisions"}],"predecessor-version":[{"id":2559,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1094\/revisions\/2559"}],"wp:attachment":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}