{"id":1203,"date":"2017-07-12T09:42:56","date_gmt":"2017-07-12T08:42:56","guid":{"rendered":"http:\/\/www.revistaelhipogrifo.com\/?page_id=1203"},"modified":"2024-09-18T08:11:35","modified_gmt":"2024-09-18T07:11:35","slug":"numero-7-1er-semestre-2017","status":"publish","type":"page","link":"https:\/\/www.revistaelhipogrifo.com\/?page_id=1203","title":{"rendered":"07 [2017]"},"content":{"rendered":"

ISSN 2420-918X <\/em><\/strong><\/span><\/h4>\n

\/\/\/ EL HIPOGRIFO HISP\u00c1NICO<\/span><\/strong><\/h4>\n

Carlos Garc\u00eda. <\/strong><\/span>Joan Salvat-Papasseit y Guillermo de Torre (1919-1922). Corresponden\u00adcia y amistad <\/em>1-34<\/span><\/a><\/strong><\/span><\/h4>\n

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\/\/\/ ESTUDIOS MARECHALIANOS<\/span><\/strong><\/h4>\n

Roc\u00edo Colman Serra.<\/strong> <\/span>El banquete de Severo Arc\u00e1ngelo, <\/em>una did\u00e1ctica sobre el valor del s\u00edmbolo y la poes\u00eda <\/em><\/span>35-45<\/span><\/strong> <\/a><\/span><\/h4>\n

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\/\/\/ EL HIPOGRIFO IT\u00c1LICO<\/span><\/strong><\/h4>\n

Jerem\u00edas Bourbotte.<\/strong> <\/span>Una imagen de Wilcock. Selecci\u00f3n y marcaje de sus textos autotraducidos al italiano <\/em>46-58<\/span><\/a><\/span><\/strong><\/span><\/h4>\n

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\/\/\/ ENTREVISTAS<\/span><\/strong><\/h4>\n

Giuseppe Gatti Riccardi. <\/em><\/strong><\/span>Actos escriturales de resistencia y ant\u00eddotos de humor para las tragedias: una conversaci\u00f3n con Mario Delgado Apara\u00edn <\/em>59-66<\/span><\/a> <\/span><\/strong>  <\/em><\/span><\/h4>\n

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\/\/\/ MISCEL\u00c1NEA<\/span><\/strong><\/h4>\n

Alberto Bejarano. <\/strong><\/span>Deslumbramiento y errancia en los cuentos <\/em>\u00ab<\/em>Verdor<\/em>\u00bb<\/em> de Tom\u00e1s Gonz\u00e1lez y <\/em>\u00ab<\/em>Figura con paisaje<\/em>\u00bb<\/em> de Pablo Montoya <\/em>67-81<\/span><\/a>  <\/span><\/strong><\/span><\/h4>\n

Betina Sandra Campuzano.<\/strong> <\/span>Indios urbanos y tempestades andinas: del testimonio epigonal al relato de guerra en la narrativa peruana (2003-2015) <\/em>82-90<\/span><\/a> <\/strong><\/span><\/span><\/h4>\n

Florencia Casanova<\/span>.<\/span> <\/em><\/strong>Animal literario. Las huellas de la literatura en la revista<\/em><\/span><\/h4>\n

\u00ab<\/em>4 patas<\/em>\u00bb <\/em>91-103<\/span><\/a><\/span><\/strong><\/span><\/h4>\n

Jaime Puig Guisado.<\/strong><\/span> La poes\u00eda de Pablo de Rokha en la obra de Roberto Bola\u00f1o <\/strong><\/em>104-115<\/span><\/a><\/span><\/strong><\/span><\/h4>\n

Sara Talledo Hern\u00e1ndez.<\/strong><\/span> Manto, saya y libertad<\/span><\/em>. Sincretismo cultural en la mujer <\/em>\u00ab<\/em>tapada<\/em>\u00bb <\/em>lime\u00f1a <\/em>116-135<\/span><\/a><\/span><\/strong><\/span><\/h4>\n

Gabriela Miranda-Recinos. <\/strong><\/span>Scorpio city (la Bogot\u00e1 sacrificial)<\/em> 136-146<\/span><\/a> <\/em><\/strong><\/span><\/h4>\n

Lorenza Petit.<\/span> <\/strong>Imaginarios \u00e1rabes en los discursos po\u00e9ticos latinoamericanos: el caso de Mahfud Mass\u00eds y Meira Delmar <\/em>147-158<\/span><\/a><\/span><\/strong> <\/a><\/span><\/strong><\/span><\/h4>\n

N\u00e9lida Jeanette S\u00e1nchez Ramos. <\/strong><\/span>El viaje y adi\u00f3s a la poes\u00eda: primeros destellos de ciudad en Roberto Bola\u00f1o <\/em>159-171<\/span><\/a><\/span><\/strong><\/span><\/h4>\n

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\/\/\/ CREACI\u00d3N<\/span><\/strong><\/h4>\n

Carlos Aldazabal (ARGENTINA). <\/strong><\/span>Cinco poemas de <\/em>\u00ab<\/em>Camerata carioca<\/em>\u00bb <\/em>174-178<\/span><\/a><\/span><\/strong> <\/em><\/span><\/h4>\n

Rodolfo Alonso (ARGENTINA).<\/strong> <\/span>\u00ab<\/em>Cielo de Buenos Aires<\/em>\u00bb<\/em>. Poes\u00eda escogida 1952-2002. <\/strong>Con pr\u00f3logo de Fernand Verhesen y selecci\u00f3n de Giuseppe Mascotti <\/em>179-242<\/span><\/a><\/span><\/strong> <\/em><\/span><\/h4>\n

Arturo Amez (ESPA\u00d1A). <\/strong><\/span>\u00ab<\/em>Asombro. Cris\u00e1lida. Nostalgia<\/em>\u00bb <\/em>243-244<\/span><\/a><\/strong><\/span><\/span><\/h4>\n

Alirio Contreras (VENEZUELA).<\/strong><\/span> \u00ab<\/em>Ojo gigante en el cielo<\/em>\u00bb<\/em>. Poemas in\u00e9ditos <\/em>245-264<\/span><\/a><\/span><\/strong><\/span><\/h4>\n

Santiago de Navascu\u00e9s (ESPA\u00d1A). <\/strong><\/span>\u00ab<\/em>Ficciones. Verano. Extra\u00f1o<\/em>\u00bb <\/em>265-267<\/span><\/a><\/span><\/strong><\/span><\/h4>\n

Catalina Gonz\u00e1lez Restrepo (COLOMBIA).<\/strong> <\/span>\u00ab<\/em>Acertijo<\/em>\u00bb<\/em> y otros poemas<\/em> 268-272<\/span><\/a> <\/em><\/span><\/strong><\/span><\/h4>\n

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\/\/\/ RESE\u00d1AS<\/span><\/strong><\/h4>\n

Fernanda Elisa Bravo Herrera.<\/strong><\/span> El libro de las Siniguales y del \u00fanico Sinigual,<\/em> de Mar\u00eda Rosa Lojo (textos) y Leonor Beuter (im\u00e1genes) <\/em>273-277<\/span><\/a><\/span><\/strong><\/span><\/h4>\n

Fernanda Elisa Bravo Herrera.<\/strong> <\/span>La gelosia delle lingue, de Adri\u00e1n N. Bravi  <\/span><\/em>278-281<\/span><\/a> <\/span><\/span><\/strong><\/h4>\n

Marisa Mart\u00ednez P\u00e9rsico.<\/strong><\/span> Reinventar el lirismo. Problemas actuales sobre po\u00e9tica, de Al\u00ed Calder\u00f3n y Gustavo Osorio (editores) <\/em>282-287<\/span><\/a><\/strong><\/span><\/h4>\n

Marisa Mart\u00ednez P\u00e9rsico.<\/strong> <\/span>Del Che en la frontera, de David Vi\u00f1as. Primera edici\u00f3n biling\u00fce castellano-alem\u00e1n a cargo de Dieter Reichardt <\/em> 288-296<\/span><\/a><\/strong><\/span><\/span><\/h4>\n

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ISSN 2420-918X  \/\/\/ EL HIPOGRIFO HISP\u00c1NICO Carlos Garc\u00eda. Joan Salvat-Papasseit y Guillermo de Torre (1919-1922). Corresponden\u00adcia y amistad 1-34 . \/\/\/ ESTUDIOS MARECHALIANOS Roc\u00edo Colman Serra. El banquete de Severo Arc\u00e1ngelo, una did\u00e1ctica sobre el valor del s\u00edmbolo y la poes\u00eda 35-45  … Sigue leyendo →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n07 [2017] - Cuadernos del Hipogrifo<\/title>\n<meta name=\"robots\" content=\"index, follow\" \/>\n<meta name=\"googlebot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"bingbot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1203\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"07 [2017] - Cuadernos del Hipogrifo\" \/>\n<meta property=\"og:description\" content=\"ISSN 2420-918X  \/\/\/ EL HIPOGRIFO HISP\u00c1NICO Carlos Garc\u00eda. Joan Salvat-Papasseit y Guillermo de Torre (1919-1922). Corresponden\u00adcia y amistad 1-34 . \/\/\/ ESTUDIOS MARECHALIANOS Roc\u00edo Colman Serra. El banquete de Severo Arc\u00e1ngelo, una did\u00e1ctica sobre el valor del s\u00edmbolo y la poes\u00eda 35-45  … Sigue leyendo →\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1203\" \/>\n<meta property=\"og:site_name\" content=\"Cuadernos del Hipogrifo\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-18T07:11:35+00:00\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/\",\"name\":\"Cuadernos del Hipogrifo\",\"description\":\"REVISTA SEMESTRAL DE LITERATURA HISPANOAMERICANA Y COMPARADA\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.revistaelhipogrifo.com\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1203#webpage\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1203\",\"name\":\"07 [2017] - Cuadernos del Hipogrifo\",\"isPartOf\":{\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\"},\"datePublished\":\"2017-07-12T08:42:56+00:00\",\"dateModified\":\"2024-09-18T07:11:35+00:00\",\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1203\"]}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1203"}],"collection":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1203"}],"version-history":[{"count":101,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1203\/revisions"}],"predecessor-version":[{"id":2560,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1203\/revisions\/2560"}],"wp:attachment":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}