{"id":1496,"date":"2018-07-02T18:12:52","date_gmt":"2018-07-02T17:12:52","guid":{"rendered":"http:\/\/www.revistaelhipogrifo.com\/?page_id=1496"},"modified":"2024-09-18T08:12:11","modified_gmt":"2024-09-18T07:12:11","slug":"9-2018","status":"publish","type":"page","link":"https:\/\/www.revistaelhipogrifo.com\/?page_id=1496","title":{"rendered":"09 [2018]"},"content":{"rendered":"

ISSN 2420-918X<\/strong><\/em><\/span><\/h4>\n

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\/\/\/ EL HIPOGRIFO IT\u00c1LICO<\/strong> <\/strong><\/span><\/h4>\n

Eva Rodr\u00edguez Garc\u00eda.<\/strong><\/span> Una carta aut\u00f3grafa (e in\u00e9dita) de Lope de Vega al Duque de Mantua <\/em>1-18<\/a><\/strong><\/span><\/span><\/h4>\n

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\/\/\/ ENTREVISTAS<\/strong><\/span><\/h4>\n

Giuseppe Gatti Riccardi.<\/span><\/strong> La escritura oscura y la b\u00fasqueda de la subjetividad lectora. Una conversaci\u00f3n con Carlos Liscano <\/em>19-25<\/a><\/strong><\/span><\/span><\/h4>\n

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\/\/\/ MISCEL\u00c1NEA<\/strong><\/span><\/h4>\n

Jes\u00fas Miguel Delgado Del Aguila.<\/span><\/strong> Causalismo e impacto violentos en <\/em>La ciudad y los perros 26-39<\/a><\/span><\/strong><\/span><\/h4>\n

Mar\u00eda Teresa Herrera P\u00e9rez.<\/span><\/strong> Construcci\u00f3n de la otra realidad en Pablo Palacio y Julio Cort\u00e1zar  <\/em>40-51<\/a><\/strong><\/span><\/span><\/h4>\n

Gustavo Lespada.<\/span><\/strong> Cris\u00e1lida: <\/em>\u00ab<\/em>La mujer parecida a m\u00ed\u00bb, de Felisberto Hern\u00e1ndez <\/em>51-65<\/a><\/strong><\/span><\/span><\/h4>\n

Gloria Prado Gardu\u00f1o.<\/span> <\/strong>Del cuerpo an\u00f3malo a la imposibilidad de la pareja: cuentos de Guadalupe Nettel <\/em>66-79<\/a><\/strong><\/span><\/span><\/h4>\n

Emiliano Sued.<\/span><\/strong> Letras, n\u00fameros, Rosas\u2026 en las<\/em> Tablas de sangre de Rivera Indarte <\/em>80-95<\/a><\/strong><\/span><\/span><\/h4>\n

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\/\/\/ CREACI\u00d3N<\/strong><\/span><\/h4>\n

Roc\u00edo Acebal (ESPA\u00d1A).<\/span><\/strong> \u00abSobre la falsedad de la memoria<\/em>\u00bb<\/em> y otros poemas <\/em>96-98<\/a><\/strong><\/span><\/span><\/h4>\n

Jorge Contreras Herrera (M\u00c9XICO).<\/strong><\/span> Veo un conejo mirarme desde la nieve <\/em>99-102<\/a><\/span><\/strong><\/span><\/h4>\n

Sergio De Matteo (ARGENTINA).<\/strong> <\/span>Hasta que cante (selecci\u00f3n) <\/em>103-105<\/a><\/strong><\/span><\/span><\/h4>\n

Antonio Jim\u00e9nez Mill\u00e1n (ESPA\u00d1A).<\/span><\/strong> Cinco poemas in\u00e9ditos de <\/em>Biolog\u00eda, historia 106-111<\/a><\/span><\/strong><\/span><\/h4>\n

Mar\u00eda Rosa Lojo (ARGENTINA).<\/strong> <\/span>Esperan la ma\u00f1ana verde (selecci\u00f3n) <\/em>112-115<\/a><\/span><\/strong><\/span><\/h4>\n

Mart\u00edn Z\u00fa\u00f1iga Ch\u00e1vez (PER\u00da).<\/strong> <\/span>\u00ab<\/em>Pa\u00eds abierto<\/em>\u00bb<\/em> y otros poemas <\/em>116-122<\/a><\/strong><\/span><\/span><\/h4>\n

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\/\/\/ RESE\u00d1AS<\/strong><\/span><\/h4>\n

Fernanda E. Bravo Herrera.<\/span> <\/strong>Alpargatas contra libros. El escritor y las masas en la literatura del primer peronismo (1945-1955)<\/em>, de Javier de Navascu\u00e9s 123-126<\/a><\/span><\/strong><\/span><\/h4>\n

Ana Davis Gonz\u00e1lez.<\/span><\/strong> Volver a la vanguardia. El invencionismo y su deriva en el movimiento Poes\u00eda Buenos Aires (1944-1963)<\/em>, de Luciana Del Gizzo 127-128<\/a><\/span><\/strong><\/span><\/h4>\n

Claudia Garc\u00eda-Minguill\u00e1n.<\/strong><\/span> El Imperio de la virtud: \u2018Grandeza Mexicana\u2019 (1604) de Bernardo de Balbuena y el discurso criollo novohispano<\/em>, de Jorge L. Terukina Yamauchi 129-131<\/a><\/span><\/strong><\/span><\/h4>\n

Sara Uribe.<\/span><\/strong> Acrobacia del cuerpo biling\u00fce. La poes\u00eda de Alfredo Gangotena<\/em>, de Cristina Burneo Salazar 132-135<\/a><\/span><\/strong><\/span><\/h4>\n

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ISSN 2420-918X   \/\/\/ EL HIPOGRIFO IT\u00c1LICO  Eva Rodr\u00edguez Garc\u00eda. Una carta aut\u00f3grafa (e in\u00e9dita) de Lope de Vega al Duque de Mantua 1-18   \/\/\/ ENTREVISTAS Giuseppe Gatti Riccardi. La escritura oscura y la b\u00fasqueda de la subjetividad lectora. Una conversaci\u00f3n … Sigue leyendo →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n09 [2018] - Cuadernos del Hipogrifo<\/title>\n<meta name=\"robots\" content=\"index, follow\" \/>\n<meta name=\"googlebot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"bingbot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1496\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"09 [2018] - Cuadernos del Hipogrifo\" \/>\n<meta property=\"og:description\" content=\"ISSN 2420-918X   \/\/\/ EL HIPOGRIFO IT\u00c1LICO  Eva Rodr\u00edguez Garc\u00eda. Una carta aut\u00f3grafa (e in\u00e9dita) de Lope de Vega al Duque de Mantua 1-18   \/\/\/ ENTREVISTAS Giuseppe Gatti Riccardi. La escritura oscura y la b\u00fasqueda de la subjetividad lectora. Una conversaci\u00f3n … Sigue leyendo →\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1496\" \/>\n<meta property=\"og:site_name\" content=\"Cuadernos del Hipogrifo\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-18T07:12:11+00:00\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/\",\"name\":\"Cuadernos del Hipogrifo\",\"description\":\"REVISTA SEMESTRAL DE LITERATURA HISPANOAMERICANA Y COMPARADA\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.revistaelhipogrifo.com\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1496#webpage\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1496\",\"name\":\"09 [2018] - Cuadernos del Hipogrifo\",\"isPartOf\":{\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\"},\"datePublished\":\"2018-07-02T17:12:52+00:00\",\"dateModified\":\"2024-09-18T07:12:11+00:00\",\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.revistaelhipogrifo.com\/?page_id=1496\"]}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1496"}],"collection":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1496"}],"version-history":[{"count":27,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1496\/revisions"}],"predecessor-version":[{"id":2562,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1496\/revisions\/2562"}],"wp:attachment":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}