{"id":1557,"date":"2018-12-26T17:50:44","date_gmt":"2018-12-26T16:50:44","guid":{"rendered":"http:\/\/www.revistaelhipogrifo.com\/?page_id=1557"},"modified":"2019-07-14T17:19:04","modified_gmt":"2019-07-14T16:19:04","slug":"10-2018","status":"publish","type":"page","link":"https:\/\/www.revistaelhipogrifo.com\/?page_id=1557","title":{"rendered":"10 [2018]"},"content":{"rendered":"

ISSN\u00a02420-918X<\/strong><\/em><\/span><\/h4>\n

\/\/\/ MONOGR\u00c1FICO<\/strong><\/span>\u00a0<\/strong><\/h4>\n

ESCRITURAS MIGRANTES, \u00abENTRE CULTURAS\u00bb Y NUEVAS INSCRIPCIONES IDENTITARIAS<\/strong><\/span><\/h4>\n

\u00a0<\/h4>\n

Tatiana Navallo y Albino Chac\u00f3n.<\/strong><\/span> Introducci\u00f3n al monogr\u00e1fico\u00a0<\/em>1-5<\/a><\/strong><\/span><\/span><\/h4>\n

Hugo Salcedo Larios.\u00a0<\/em><\/span><\/strong>Presencia de lo <\/em>queer en el teatro mexicano como una forma en contra de la heteronormatividad\u00a0<\/em>6-19<\/a><\/strong><\/span><\/span><\/h4>\n

D\u00e1maso Rabanal Gatica e Iris Barbosa.<\/span><\/strong> El <\/em>\u00abinmigrante<\/em>\u00bb Lemebel: tensiones identitarias y pol\u00edticas en la cr\u00f3nica urbana. Posibilidades cr\u00edticas del <\/em><\/span><\/h4>\n

desplazamiento\u00a0<\/em>20-31<\/a><\/strong><\/span><\/span><\/h4>\n

Magdalena Gonz\u00e1lez Almada.<\/span><\/strong> Escrituras migrantes: desplazamientos identitarios y territoriales en textos de Magela Baudoin, Fabiola Morales y Liliana Colanzi\u00a0<\/em>32-46<\/a><\/span><\/strong><\/span><\/h4>\n

Irene L\u00f3pez.<\/span><\/strong> Est\u00e9ticas fronterizas. Interacciones, mixturas y antropofagias entre el jazz, el rock y la copla\u00a0<\/em>47-64<\/a><\/strong><\/span><\/span><\/h4>\n

Betina Sandra Campuzano.<\/strong><\/span> Pachamama, ekekos y Cristos morenos. Nuevos realismos, violencia urbana y religiosidad andina en la literatura argentina <\/span><\/em><\/h4>\n

migrante\u00a065-84<\/a>\u00a0<\/span><\/strong><\/span><\/em><\/h4>\n

David Arias Mar\u00edn.<\/span> <\/strong>\u00abCuando uno no es uno\u00bb: identidad alterada en <\/em>Para\u00edso travel, de Jorge Franco\u00a0<\/em>85-99<\/a><\/strong><\/span><\/span><\/h4>\n

Alexander Torres.<\/span><\/strong> Revelaciones de la violencia en la novela <\/em>Insensatez de Horacio Castellanos Moya\u00a0<\/em>100-115<\/a><\/span><\/strong><\/span><\/h4>\n

Ana Mar\u00eda Chehin.<\/span> <\/strong>Perder el cuepo, perder la tierra. Historias de desplazados en \u00abUn pa\u00eds de mutilados\u00bb de Alberto Salcedo Ramos\u00a0<\/em>1<\/em>16-126<\/a>\u00a0<\/strong>\u00a0<\/span>\u00a0<\/span><\/h4>\n

Orfa Kelita Vanegas V\u00e1squez.<\/span> <\/strong>Narrativas ambulantes. Caminar y narrar el lugar perdido en la novela colombiana\u00a0<\/em>127-141<\/a><\/strong><\/span><\/span><\/h4>\n

\u00a0<\/h4>\n

\u00a0<\/h4>\n

\/\/\/ ENTREVISTAS<\/span><\/strong><\/h4>\n

Rafael Angel Herra y Carlos Eduardo Rodr\u00edguez.<\/span> <\/strong>Entrevista con Juan Rulfo en San Jos\u00e9. Febrero de 1967<\/em> (gentileza de Rafael \u00c1ngel Herra)\u00a0<\/em>142-147<\/a><\/span><\/strong><\/span><\/h4>\n

Luis Nava.<\/span><\/strong> Entrevista con Juan Jos\u00e9 Arreola en la Universidad Aut\u00f3noma de Chihuahua. Verano 1977-1978 (in\u00e9dita \u2013 gentileza de Iram Evangelista \u00c1vila)\u00a0<\/em>148-156<\/a><\/strong><\/span><\/span><\/h4>\n

\u00a0<\/h4>\n

\u00a0<\/h4>\n

\/\/\/ CREACI\u00d3N<\/span><\/strong><\/h4>\n

Mariano Rolando Andrade (ARGENTINA).<\/span><\/strong> \u00abEast Village\u00bb y otros poemas\u00a0<\/em>157-161<\/a><\/strong><\/span><\/span><\/h4>\n

Dino Boccaccini (ARGENTINA).<\/span><\/strong> \u00abEl espejo cu\u00e1ntico\u00bb\u00a0<\/em>162-170<\/a><\/span><\/strong><\/span><\/h4>\n

\u00a0<\/h4>\n

\/\/\/ ESPECIAL DE POES\u00cdA <\/strong><\/span><\/h4>\n

\u00a0 \u00a0 LIBEROAM\u00c9RICA-SPANISH AND LATIN AMERICAN VOICES IN OXFORD<\/strong><\/span><\/h4>\n

Martina Cruz (ARGENTINA).<\/span><\/strong> \u00abKintsugi\u00bb y otros poemas\u00a0<\/em>171-175<\/a><\/span><\/strong><\/span><\/h4>\n

Tania Ganitsky (COLOMBIA).<\/span><\/strong> \u00abRana est\u00e1tica\u00bb y otros poemas<\/em>\u00a0176-179<\/a><\/span><\/strong><\/span><\/h4>\n

Ana Mar\u00eda L\u00f3pez Hurtado (COLOMBIA).<\/span> <\/strong>\u00abEscarabajo\u00bb y otros poemas<\/em>\u00a0180-182<\/a>\u00a0<\/strong><\/span><\/span><\/h4>\n

Alejandra Marquerie (ESPA\u00d1A).<\/strong><\/span> \u00abPrado\u00bb y otros poemas\u00a0<\/em>183-185<\/a><\/span><\/strong><\/span><\/h4>\n

Am\u00e9rica Merino (CHILE).<\/span><\/strong> Fractales (selecci\u00f3n)\u00a0<\/em>186-188<\/a><\/span><\/strong><\/span><\/h4>\n

Gabriela Sambuccetti (ARGENTINA).<\/span><\/strong> \u00ab\u00cddolos\u00bb y otros poemas<\/em>\u00a0189-191<\/a><\/span><\/strong><\/span><\/h4>\n

\u00c1strid Soldevilla (PER\u00da).<\/span> <\/strong>\u00abPrimer mundo\u00bb y otros poemas<\/em>\u00a0192-195<\/a><\/span><\/strong><\/span><\/h4>\n

\u00a0<\/h4>\n

\u00a0<\/h4>\n

\/\/\/ RESE\u00d1AS<\/span><\/strong><\/h4>\n

Josefina Cabo.<\/span> <\/strong>Sarmiento: el regreso<\/em>, de No\u00e9 Jitrik\u00a0196-199<\/a><\/span><\/strong><\/span><\/h4>\n

Florencia Casanova.<\/span> <\/strong>Cort\u00e1zar, 1963. Acerca de Rayuela, <\/em>de Eduardo Romano\u00a0200-203<\/a><\/span><\/strong><\/span><\/h4>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

ISSN\u00a02420-918X \/\/\/ MONOGR\u00c1FICO\u00a0 ESCRITURAS MIGRANTES, \u00abENTRE CULTURAS\u00bb Y NUEVAS INSCRIPCIONES IDENTITARIAS \u00a0 Tatiana Navallo y Albino Chac\u00f3n. Introducci\u00f3n al monogr\u00e1fico\u00a01-5 Hugo Salcedo Larios.\u00a0Presencia de lo queer en el teatro mexicano como una forma en contra de la heteronormatividad\u00a06-19 D\u00e1maso Rabanal … Sigue leyendo →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n10 [2018] - Cuadernos del Hipogrifo<\/title>\n<meta name=\"robots\" content=\"index, follow\" \/>\n<meta name=\"googlebot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"bingbot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.revistaelhipogrifo.com\/?page_id=1557\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"10 [2018] - Cuadernos del Hipogrifo\" \/>\n<meta property=\"og:description\" content=\"ISSN\u00a02420-918X \/\/\/ MONOGR\u00c1FICO\u00a0 ESCRITURAS MIGRANTES, \u00abENTRE CULTURAS\u00bb Y NUEVAS INSCRIPCIONES IDENTITARIAS \u00a0 Tatiana Navallo y Albino Chac\u00f3n. Introducci\u00f3n al monogr\u00e1fico\u00a01-5 Hugo Salcedo Larios.\u00a0Presencia de lo queer en el teatro mexicano como una forma en contra de la heteronormatividad\u00a06-19 D\u00e1maso Rabanal … Sigue leyendo →\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.revistaelhipogrifo.com\/?page_id=1557\" \/>\n<meta property=\"og:site_name\" content=\"Cuadernos del Hipogrifo\" \/>\n<meta property=\"article:modified_time\" content=\"2019-07-14T16:19:04+00:00\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/\",\"name\":\"Cuadernos del Hipogrifo\",\"description\":\"REVISTA SEMESTRAL DE LITERATURA HISPANOAMERICANA Y COMPARADA\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.revistaelhipogrifo.com\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.revistaelhipogrifo.com\/?page_id=1557#webpage\",\"url\":\"http:\/\/www.revistaelhipogrifo.com\/?page_id=1557\",\"name\":\"10 [2018] - Cuadernos del Hipogrifo\",\"isPartOf\":{\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\"},\"datePublished\":\"2018-12-26T16:50:44+00:00\",\"dateModified\":\"2019-07-14T16:19:04+00:00\",\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.revistaelhipogrifo.com\/?page_id=1557\"]}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1557"}],"collection":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1557"}],"version-history":[{"count":37,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1557\/revisions"}],"predecessor-version":[{"id":1691,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1557\/revisions\/1691"}],"wp:attachment":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}