{"id":1768,"date":"2020-01-24T23:32:02","date_gmt":"2020-01-24T22:32:02","guid":{"rendered":"http:\/\/www.revistaelhipogrifo.com\/?page_id=1768"},"modified":"2020-02-14T05:44:31","modified_gmt":"2020-02-14T04:44:31","slug":"12-2019","status":"publish","type":"page","link":"https:\/\/www.revistaelhipogrifo.com\/?page_id=1768","title":{"rendered":"12 [2019]"},"content":{"rendered":"
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ISSN 2420-918X<\/span><\/em><\/strong><\/h5>\n
\/\/\/ EL HIPOGRIFO IT\u00c1LICO<\/strong><\/span><\/h5>\n
Sara J. Iriarte.<\/span>\u00a0La representaci\u00f3n de la cultura popular y letrada en Mart\u00edn Fierro y en las traducciones al italiano de Giovanni Meo Zilio, Folco Testena y Crocitto Cuonzo <\/em><\/span>1-15<\/a><\/span><\/strong><\/h5>\n
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\/\/\/ EL HIPOGRIFO HISP\u00c1NICO<\/strong><\/span><\/h5>\n
Carlos Garc\u00eda.\u00a0<\/span>Borges y Alonso Quesada (1923-1925) <\/em><\/span>16-24<\/a><\/span><\/strong><\/h5>\n
Matteo Lobina.<\/span>\u00a0Tra ruido punk e \u00abnormalit\u00e0\u00bb. L\u2019insubordinazione Kronen di Jos\u00e9 \u00c1ngel Ma\u00f1as <\/em>25-39<\/a><\/span><\/span><\/strong><\/h5>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/strong><\/h5>\n
\/\/\/ MISCEL\u00c1NEA<\/strong><\/span><\/h5>\n
Isaura Contreras R\u00edos.<\/span>\u00a0Experiencia realista e invenci\u00f3n m\u00edtica: la escena urbana en La regi\u00f3n m\u00e1s transparente de Carlos Fuentes <\/em><\/span>40-50<\/a><\/span><\/span><\/strong><\/h5>\n
Adam Faye.<\/span> La religi\u00f3n en La voz interior de Dar\u00edo Jaramillo Agudelo: entre parodia de los textos sagrados y reconciliaci\u00f3n con el catolicismo <\/em><\/span>51-63<\/a><\/span><\/strong><\/h5>\n
N\u00faria Lorente.<\/span> La imprenta en M\u00e9xico. Enrico Mart\u00ednez: impresor, int\u00e9rprete y cosm\u00f3grafo del rey <\/em><\/span>64-74<\/a><\/span><\/strong><\/h5>\n
Mar\u00eda Isabel Zwanck.<\/span> Un particular recurso paratextual: la nota a pie de p\u00e1gina en \u00abBlanco nocturno\u00bb de Ricardo Piglia <\/em>75-91<\/a><\/span><\/span><\/strong><\/h5>\n
\u00a0\u00a0<\/strong><\/h5>\n
\/\/\/ CREACI\u00d3N<\/strong><\/span><\/h5>\n
Alberto Bejarano (COLOMBIA).<\/span> Un poema teatral <\/em>92-95<\/a><\/span><\/span><\/strong><\/h5>\n
Rosalba Campra (ARGENTINA).<\/span> Selecci\u00f3n de<\/em> \u00abDe lejan\u00edas\u00bb (Alci\u00f3n, 2017) <\/em>96-101<\/a><\/span><\/span><\/strong><\/h5>\n
Andrea Cote (COLOMBIA).<\/span>\u00a0Selecci\u00f3n de \u00abEn las praderas del fin del mundo\u00bb (Valpara\u00edso, 2018) <\/em>102-104<\/a><\/span><\/span><\/strong><\/h5>\n
Lara Dopazo Ruibal (ESPA\u00d1A).<\/span>\u00a0\u00abpoema azul\u00bb (gallego-castellano) <\/em>105-110<\/a><\/span><\/span><\/strong><\/h5>\n
Karmelo Iribarren (ESPA\u00d1A).<\/span>\u00a0\u00abLa funci\u00f3n de la poes\u00eda\u00bb y otros poemas <\/em>111-113<\/a><\/span><\/span><\/strong><\/h5>\n
N\u00e9stor Mendoza (VENEZUELA).\u00a0<\/span>\u00abEl puente\u00bb y otros poemas <\/em>114-117<\/a><\/span><\/span><\/strong><\/h5>\n
\u00a0<\/em><\/span><\/strong><\/h5>\n
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\/\/\/ RESE\u00d1AS\u00a0<\/span>\u00a0<\/strong><\/h5>\n
Jos\u00e9 Mar\u00eda Garc\u00eda Linares.<\/span>\u00a0Facci\u00f3n Espa\u00f1ola Surrealista de Tenerife<\/em>, de Domingo P\u00e9rez Minik. Edici\u00f3n cr\u00edtica a cargo de Roberto Garc\u00eda de Mesa 118-119<\/a><\/span><\/span><\/strong><\/h5>\n
Erbey Mendoza.<\/span>\u00a0Ensayar al Confabulador: acercamientos a la obra de Juan Jos\u00e9 Arreola<\/em>, de Iram Isa\u00ed Evangelista y Roberto Ransom (Coords.) 120-122<\/a><\/span><\/span><\/strong><\/h5>\n
Francesco Tarquini.<\/span> Mezzanotte del mondo<\/em>, de Jorge Gal\u00e1n. Traducci\u00f3n de Alessio Brandolini 123-127<\/a><\/span><\/span><\/strong><\/h5>\n","protected":false},"excerpt":{"rendered":"

ISSN 2420-918X \/\/\/ EL HIPOGRIFO IT\u00c1LICO Sara J. Iriarte.\u00a0La representaci\u00f3n de la cultura popular y letrada en Mart\u00edn Fierro y en las traducciones al italiano de Giovanni Meo Zilio, Folco Testena y Crocitto Cuonzo 1-15 . \/\/\/ EL HIPOGRIFO HISP\u00c1NICO … Sigue leyendo →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n12 [2019] - Cuadernos del Hipogrifo<\/title>\n<meta name=\"robots\" content=\"index, follow\" \/>\n<meta name=\"googlebot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"bingbot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.revistaelhipogrifo.com\/?page_id=1768\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"12 [2019] - Cuadernos del Hipogrifo\" \/>\n<meta property=\"og:description\" content=\"ISSN 2420-918X \/\/\/ EL HIPOGRIFO IT\u00c1LICO Sara J. Iriarte.\u00a0La representaci\u00f3n de la cultura popular y letrada en Mart\u00edn Fierro y en las traducciones al italiano de Giovanni Meo Zilio, Folco Testena y Crocitto Cuonzo 1-15 . \/\/\/ EL HIPOGRIFO HISP\u00c1NICO … Sigue leyendo →\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.revistaelhipogrifo.com\/?page_id=1768\" \/>\n<meta property=\"og:site_name\" content=\"Cuadernos del Hipogrifo\" \/>\n<meta property=\"article:modified_time\" content=\"2020-02-14T04:44:31+00:00\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/\",\"name\":\"Cuadernos del Hipogrifo\",\"description\":\"REVISTA SEMESTRAL DE LITERATURA HISPANOAMERICANA Y COMPARADA\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.revistaelhipogrifo.com\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.revistaelhipogrifo.com\/?page_id=1768#webpage\",\"url\":\"http:\/\/www.revistaelhipogrifo.com\/?page_id=1768\",\"name\":\"12 [2019] - Cuadernos del Hipogrifo\",\"isPartOf\":{\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\"},\"datePublished\":\"2020-01-24T22:32:02+00:00\",\"dateModified\":\"2020-02-14T04:44:31+00:00\",\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.revistaelhipogrifo.com\/?page_id=1768\"]}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1768"}],"collection":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1768"}],"version-history":[{"count":26,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1768\/revisions"}],"predecessor-version":[{"id":1820,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/1768\/revisions\/1820"}],"wp:attachment":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}