{"id":2217,"date":"2022-07-31T22:28:52","date_gmt":"2022-07-31T21:28:52","guid":{"rendered":"http:\/\/www.revistaelhipogrifo.com\/?page_id=2217"},"modified":"2022-08-19T04:47:28","modified_gmt":"2022-08-19T03:47:28","slug":"17-2022","status":"publish","type":"page","link":"https:\/\/www.revistaelhipogrifo.com\/?page_id=2217","title":{"rendered":"17 [2022]"},"content":{"rendered":"\n<p class=\"has-black-color has-text-color\"><\/p>\n\n\n\n<p class=\"has-white-color has-text-color\"><strong>\/\/\/ EL HIPOGRIFO HISP\u00c1NICO<\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#e8f516\"><strong>Guillermo Portela.<\/strong> <code>Cr\u00f3nicas de los fracasos floridos: una lectura de <em>Naufragios<\/em> de \u00c1lvar N\u00fa\u00f1ez Cabeza de Vaca y <em>La<\/em> <em>Florida<\/em> <em>del Inca<\/em> de Garcilaso de la Vega<\/code> <a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2022\/08\/1-14-1.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">1-14<\/mark><\/strong><\/a><\/p>\n\n\n\n<p class=\"has-white-color has-text-color\"><strong>\/\/\/ EL HIPOGRIFO IT\u00c1LICO<\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f3f72ceb\"><strong>Giuseppe Gatti Riccardi.<\/strong> <code>Disciplina del cuerpo, domesticaci\u00f3n del sujeto y formas alternativas de control en la cuent\u00edstica de Dino Buzzati y Fernanda Tr\u00edas<\/code> <a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2022\/08\/15-46-1.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">15-46<\/mark><\/strong><\/a><\/p>\n\n\n\n<p class=\"has-white-color has-text-color\"><strong>\/\/\/ MISCEL\u00c1NEA<\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f0f516\"><strong>Jes\u00fas Miguel Delgado del \u00c1guila.<\/strong> <code>Una b\u00fasqueda inconclusa del campo ret\u00f3rico en <em>Trilce <\/em><\/code> <a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2022\/08\/47-60.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">47-60<\/mark><\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f0f516\"><strong>Marina Maggi.<\/strong> <code>El genial ni\u00f1o atrasado y el profeta rebelde: figuraciones del poeta y su oficio en dos traducciones de la revista <em>El Lagrimal Trifurca <\/em>(1968-1976)<\/code> <a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2022\/08\/61-74-2.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">61-74<\/mark><\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f0f516\"><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f0f516\"><strong>Alberto Romero Vallejo.<\/strong> <code>El \u00abrealismo inmediato\u00bb de Gabriel Garc\u00eda M\u00e1rquez en <em>El coronel no tiene quien le escriba&nbsp;<\/em><\/code><a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2022\/08\/75-85.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">75-85<\/mark><\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f0f516\"><strong>Fernando Salazar Torres.<\/strong> <code><em>Ant\u00edgona Gonz\u00e1lez<\/em> de Sara Uribe: <em>di\u00e1spora gen\u00e9rica<\/em> como territorio discursivo<\/code> <a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2022\/08\/86-96-1.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">86-96<\/mark><\/strong><\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f0f516\"><strong>Carlos Hern\u00e1n Sosa.<\/strong> <code>Sobre la vacilaci\u00f3n de la forma: las novelas de Antonio di Benedetto<\/code> <a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2022\/08\/97-116.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">97-116<\/mark><\/strong><\/a><\/p>\n\n\n\n<p class=\"has-white-color has-text-color\"><strong>\/\/\/ <\/strong><strong>CREACI\u00d3N (especial Centroam\u00e9rica y Caribe)<\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#fcfc2c\"><strong>Humberto Avil\u00e9s Berm\u00fadez (NICARAGUA). <\/strong><em><code>Otredades (selecci\u00f3n)<\/code><\/em> <a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2022\/08\/117-120.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">117-120<\/mark><\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#fcfc2c\"><strong>Roc\u00edo Bola\u00f1os (EL SALVADOR).<\/strong> <em><code>La vida incierta (selecci\u00f3n)<\/code><\/em> <a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2022\/08\/121-124.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">121-124<\/mark><\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#fcfc2c\"><strong>Christian Encarnaci\u00f3n (REP\u00daBLICA DOMINICANA).<\/strong> <code>\u00abLa forma de tu forma\u00bb y otros poemas<\/code> <a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2022\/08\/125-127.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">125-127<\/mark><\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#fcfc2c\"><strong>Iv\u00e1n Molina Jim\u00e9nez (COSTA RICA).<\/strong> <code>\u00abEl pasado que cay\u00f3 del cielo\u00bb<\/code> <a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2022\/08\/128-132.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">128-132<\/mark><\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#fcfc2c\"><strong>Samuel Trigueros Espino (HONDURAS).<\/strong> <em><code>Una canci\u00f3n lejana (selecci\u00f3n)<\/code><\/em> <a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2022\/08\/133-137.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">133-137<\/mark><\/strong><\/a><\/p>\n\n\n\n<p class=\"has-white-color has-text-color\"><strong>\/\/\/ RESE\u00d1AS<\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#fcfc2c\"><strong>Fernanda Elisa Bravo Herrera. <\/strong><code><em>Por una teor\u00eda desde la novela experimental argentina hasta 1980<\/em>, de Jorge Bracamonte<\/code> <a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2022\/08\/138-142.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">138-142<\/mark><\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#fcfc2c\"><strong>Fernanda Elisa Bravo Herrera.<\/strong> <code><em>La novela gauchesca de Eduardo Guti\u00e9rrez. Prensa, discurso judicial y follet\u00edn en la g\u00e9nesis de una literatura popular<\/em><\/code><em><code>, de Carlos Hern\u00e1n Sosa <\/code><\/em><a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2022\/08\/143-147.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">143-147<\/mark><\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center has-white-color has-text-color\"><\/p>\n\n\n\n<h5 class=\"has-text-align-center has-text-color\" style=\"color:#f60909\"><em><strong>CdH est\u00e1 indexada en las siguientes bases de datos: Latindex, Redial,&nbsp;Ceisal, Road, Hispanismo Cervantes, MIAR, DOAJ<\/strong><\/em><\/h5>\n\n\n\n<h5 class=\"has-text-align-center has-text-color\" style=\"color:#f60909\">&nbsp;<\/h5>\n\n\n\n<h5 class=\"has-text-align-center has-text-color\" style=\"color:#f60909\"><em><strong>CdH forma parte de Latinoamericana. Asociaci\u00f3n de Revistas Acad\u00e9micas de Humanidades y Ciencias Sociales<\/strong><\/em><\/h5>\n\n\n\n<p class=\"has-text-align-center has-white-color has-text-color\"><strong><code>ROMA - ISSN 2420-918X<\/code><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\/\/\/ EL HIPOGRIFO HISP\u00c1NICO Guillermo Portela. Cr\u00f3nicas de los fracasos floridos: una lectura de Naufragios de \u00c1lvar N\u00fa\u00f1ez Cabeza de Vaca y La Florida del Inca de Garcilaso de la Vega 1-14 \/\/\/ EL HIPOGRIFO IT\u00c1LICO Giuseppe Gatti Riccardi. Disciplina &hellip; <a href=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=2217\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v14.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>17 [2022] - Cuadernos del Hipogrifo<\/title>\n<meta name=\"robots\" content=\"index, follow\" \/>\n<meta name=\"googlebot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"bingbot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.revistaelhipogrifo.com\/?page_id=2217\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"17 [2022] - Cuadernos del Hipogrifo\" \/>\n<meta property=\"og:description\" content=\"\/\/\/ EL HIPOGRIFO HISP\u00c1NICO Guillermo Portela. 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