{"id":2503,"date":"2023-12-31T15:03:04","date_gmt":"2023-12-31T14:03:04","guid":{"rendered":"https:\/\/www.revistaelhipogrifo.com\/?page_id=2503"},"modified":"2024-02-21T20:44:31","modified_gmt":"2024-02-21T19:44:31","slug":"20-2023","status":"publish","type":"page","link":"https:\/\/www.revistaelhipogrifo.com\/","title":{"rendered":"20 [2023]"},"content":{"rendered":"\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0);color:#fdd215\" class=\"has-inline-color\">\/\/\/ EL HIPOGRIFO HISP\u00c1NICO<\/mark><\/strong><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-blue-color\">Antonella Cancellier.<\/mark> <\/strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\"><strong>Cavallo e formica. Note sulla traduzione. Discorso di premiazione. Premio Montale Fuori di Casa <strong>2020\/2023<\/strong> consegnato a Luis Garc\u00eda Montero. Universit\u00e0 Ca\u2019 Foscari, Venezia, 26 gennaio 2023<\/strong><\/mark> <a href=\"https:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2024\/02\/1-6.pdf\"><strong>1-6<\/strong><\/a><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-blue-color\">Marisa Mart\u00ednez P\u00e9rsico. <\/mark>\u00a0<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">La poetica induttiva di Luis Garc\u00eda Montero. Discorso di premiazione. Premio Montale Fuori di Casa <strong>2020\/2023<\/strong>. Universit\u00e0 Ca\u2019 Foscari, Venezia, 26 gennaio 2023<\/mark><\/strong> <a href=\"https:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2024\/02\/7-10.pdf\"><strong><a href=\"https:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2024\/02\/7-10-1.pdf\">7-10<\/a><\/strong><\/a><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0);color:#fcd702\" class=\"has-inline-color\">\/\/\/ MISCEL\u00c1NEA<\/mark><\/strong><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-blue-color\">Elisa Cocco.<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">Ala\u00edde Foppa: una vita da dissidente <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f71b8c\" class=\"has-inline-color\"><a href=\"https:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2024\/02\/11-25.pdf\">11-25<\/a> <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f9d018\" class=\"has-inline-color\">&nbsp;<\/mark><\/strong><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-blue-color\">Ana Nadal Quir\u00f3s. <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">Dimensi\u00f3n ontol\u00f3gica del discurso po\u00e9tico en El libro de barro de Blanca Varela<\/mark><\/strong> <a href=\"https:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2024\/02\/26-40.pdf\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0);color:#d11938\" class=\"has-inline-color\">26-40<\/mark><\/strong><\/a><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-blue-color\">Lorenza Petit. <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">Una aproximaci\u00f3n a la escritura h\u00edbrida y transcultural de D\u00edas de tu vida y Rumbo al exilio final<\/mark><\/strong> <a href=\"https:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2024\/02\/41-54-1.pdf\"><strong>41-54<\/strong><\/a><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-blue-color\">Carlos Hern\u00e1n Sosa. <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">El paisaje invertido. Una discusi\u00f3n sobre pol\u00edticas culturales literarias en San Miguel de Mar\u00eda Lobo&nbsp;<\/mark><\/strong><a href=\"https:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2024\/02\/55-64.pdf\"><strong>55-64<\/strong><\/a><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0);color:#fadb28\" class=\"has-inline-color\">\/\/\/ CREACI\u00d3N<\/mark><\/strong><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-blue-color\">Luisa Futoransky (ARGENTINA).<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">\u00abInventos indispensables de la humanidad: la ventana\u00bb y otros poemas<\/mark><\/strong> <a href=\"https:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2024\/02\/65-67.pdf\"><strong>65-67<\/strong><\/a><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-blue-color\">Juan Jos\u00e9 Guti\u00e9rrez Castro (ESPA\u00d1A). <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\"><em>Crisopeya<\/em><\/mark><\/strong> <a href=\"https:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2024\/02\/68-70.pdf\"><strong>68-70<\/strong><\/a><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-blue-color\">Sergio Augusto S\u00e1nchez (COLOMBIA).<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">\u00abLa despedida\u00bb y \u00abTransmisi\u00f3n en vivo\u00bb (cuentos)<\/mark><\/strong> <a href=\"https:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2024\/02\/71-79.pdf\"><strong>71-79<\/strong><\/a><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0);color:#fbd916\" class=\"has-inline-color\">\/\/\/ RESE\u00d1AS<\/mark><\/strong><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-blue-color\">Fernanda Elisa Bravo Herrera.<em> <\/em><\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\"><em>Aventureros del Nuevo Mundo. H\u00e9roes y villanos que forjaron la Am\u00e9rica Hisp\u00e1nica, <\/em>de Javier de Navascu\u00e9s<\/mark><\/strong> <a href=\"https:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2024\/02\/80-83.pdf\"><strong>80-83<\/strong><\/a><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-blue-color\">Pasqualino Bongiovanni. <\/mark><\/strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\"><strong><em>L\u2019orlo della notte \/ El borde de la noche<\/em>, di Marisa Mart\u00ednez P\u00e9rsico<\/strong><\/mark> <a href=\"https:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2024\/02\/84-94-1.pdf\"><strong>84-94<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#e4ff2b\" class=\"has-inline-color\"><strong>ROMA &#8211; ISSN 2420-918X<\/strong><\/mark><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\/\/\/ EL HIPOGRIFO HISP\u00c1NICO Antonella Cancellier. Cavallo e formica. Note sulla traduzione. Discorso di premiazione. Premio Montale Fuori di Casa 2020\/2023 consegnato a Luis Garc\u00eda Montero. Universit\u00e0 Ca\u2019 Foscari, Venezia, 26 gennaio 2023 1-6 Marisa Mart\u00ednez P\u00e9rsico. \u00a0La poetica induttiva &hellip; <a href=\"https:\/\/www.revistaelhipogrifo.com\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v14.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>20 [2023] - Cuadernos del Hipogrifo<\/title>\n<meta name=\"robots\" content=\"index, follow\" \/>\n<meta name=\"googlebot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"bingbot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistaelhipogrifo.com\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"20 [2023] - Cuadernos del Hipogrifo\" \/>\n<meta property=\"og:description\" content=\"\/\/\/ EL HIPOGRIFO HISP\u00c1NICO Antonella Cancellier. Cavallo e formica. Note sulla traduzione. Discorso di premiazione. Premio Montale Fuori di Casa 2020\/2023 consegnato a Luis Garc\u00eda Montero. Universit\u00e0 Ca\u2019 Foscari, Venezia, 26 gennaio 2023 1-6 Marisa Mart\u00ednez P\u00e9rsico. \u00a0La poetica induttiva &hellip; Sigue leyendo &rarr;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistaelhipogrifo.com\/\" \/>\n<meta property=\"og:site_name\" content=\"Cuadernos del Hipogrifo\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-21T19:44:31+00:00\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/\",\"name\":\"Cuadernos del Hipogrifo\",\"description\":\"REVISTA SEMESTRAL DE LITERATURA HISPANOAMERICANA Y COMPARADA\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.revistaelhipogrifo.com\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#webpage\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/\",\"name\":\"20 [2023] - Cuadernos del Hipogrifo\",\"isPartOf\":{\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\"},\"datePublished\":\"2023-12-31T14:03:04+00:00\",\"dateModified\":\"2024-02-21T19:44:31+00:00\",\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.revistaelhipogrifo.com\/\"]}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/2503"}],"collection":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2503"}],"version-history":[{"count":23,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/2503\/revisions"}],"predecessor-version":[{"id":2546,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/2503\/revisions\/2546"}],"wp:attachment":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}