{"id":506,"date":"2014-11-14T18:37:37","date_gmt":"2014-11-14T17:37:37","guid":{"rendered":"http:\/\/www.revistaelhipogrifo.com\/?page_id=506"},"modified":"2024-09-18T08:09:15","modified_gmt":"2024-09-18T07:09:15","slug":"numero-2-2do-semestre-2014","status":"publish","type":"page","link":"https:\/\/www.revistaelhipogrifo.com\/?page_id=506","title":{"rendered":"02 [2014]"},"content":{"rendered":"<h5 style=\"text-align: right;\"><strong><em><span style=\"color: #ffffff;\">ISSN&nbsp;2420-918X&nbsp;<\/span><\/em><\/strong><\/h5>\n<p style=\"text-align: right;\"><span style=\"color: #00ccff;\">&nbsp;<a style=\"color: #00ccff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/Asignaci\u00f3n-ISSN.pdf\">Asignaci\u00f3n ISSN<\/a>&nbsp;definitiva<\/span><\/p>\n<h5><span style=\"color: #ffffff;\"><b>PRESENTACI\u00d3N &nbsp;<span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/1-6.pdf\">1-6<\/a><\/span> &nbsp;&nbsp;<\/b><\/span><\/h5>\n<h5><span style=\"color: #ffffff;\"><b>&nbsp;<\/b><\/span><\/h5>\n<h5><\/h5>\n<h5><\/h5>\n<h5><\/h5>\n<h5><b style=\"color: #ffffff;\">EL HIPOGRIFO HISP\u00c1NICO<\/b><\/h5>\n<h6><b style=\"color: #ffffff;\"><\/b><span style=\"color: #0af4d3;\"><b>Carlos Ram\u00edrez Vuelvas.<\/b> <\/span><span style=\"color: #dd2283;\"><i>Entre la diplomacia y la imaginaci\u00f3n: el mexicano Juan de Dios Peza en Espa\u00f1a&nbsp;<\/i><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/7-191.pdf\">7-19<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Pablo Rojas S\u00e1nchez<\/b><b>.<\/b> <\/span><span style=\"color: #dd2283;\"><i>Alfredo de Villaci\u00e1n en su vuelo de \u00cdcaro&nbsp;<\/i><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/20-371.pdf\">20-37<\/a><\/strong><\/span><br \/>\n<\/span><\/h6>\n<h5><\/h5>\n<h5><\/h5>\n<p>&nbsp;<\/p>\n<h5><\/h5>\n<h5><b style=\"color: #ffffff;\">ESTUDIOS MARECHALIANOS<\/b><\/h5>\n<h6><span style=\"color: #0af4d3;\"><b>Vicente Cervera Salinas.<\/b><\/span> <span style=\"color: #dd2283;\"><i>Del \u00abDescenso y ascenso del alma\u00bb al alma de \u00abAd\u00e1n Buenosayres\u00bb&nbsp;<\/i><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/38-481.pdf\">38-48<\/a><\/strong><\/span><\/span><\/h6>\n<h6><\/h6>\n<p>&nbsp;<\/p>\n<h6><\/h6>\n<h6><\/h6>\n<h6><b style=\"color: #ffffff;\">EL HIPOGRIFO IT\u00c1LICO<\/b><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Carmen Mar\u00eda L\u00f3pez L\u00f3pez.<\/b> <\/span><span style=\"color: #dd2283;\"><i>Hermen\u00e9utica del juego y pacto ficcional en el teatro de Luigi Pirandello y Virgilio Pi\u00f1era&nbsp;<\/i><strong><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/49-611.pdf\">49-61<\/a><\/span><\/strong><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Juan Pablo P\u00e1ez<\/b><b>.<\/b><\/span> <span style=\"color: #dd2283;\"><i>Galer\u00eda de im\u00e1genes: el \u00abPaese\u00bb de Gigliola Zecchin&nbsp;<\/i><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/62-731.pdf\">62-73<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Lucia Toppino<\/b><b>.<\/b><\/span> <span style=\"color: #dd2283;\"><i>\u00abSostiene Pereira\u00bb o la conciencia adquirida en la novela de Antonio Tabucchi. Traducciones portuguesa y espa\u00f1ola&nbsp;<\/i><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/74-811.pdf\">74-81<\/a><\/strong><\/span><\/span><\/h6>\n<h6><\/h6>\n<h6><\/h6>\n<p>&nbsp;<\/p>\n<h6><\/h6>\n<h6><\/h6>\n<h6><span style=\"color: #ffffff;\"><b>MISCEL\u00c1NEA&nbsp;<\/b><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Jaime Abad Montesinos.<\/b><\/span> <span style=\"color: #dd2283;\"><i>Poder, eternidad y dictadura: \u00abEl oto\u00f1o del patriarca\u00bb de Garc\u00eda M\u00e1rquez. Notas para una lectura&nbsp;<\/i><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/82-941.pdf\">82-94<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Mariana Avilano.<\/b><\/span> <span style=\"color: #dd2283;\"><i>La parodia en \u00abVaramo\u00bb de C\u00e9sar Aira&nbsp;<\/i><span style=\"color: #ffffff;\"><strong><a href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/95-104.pdf\"><span style=\"color: #ffffff;\">95-104<\/span><\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Rocco Carbone y Laura Kornfeld.<\/b> <\/span><span style=\"color: #dd2283;\"><i>Triborder: \u00abXir\u00fa\u00bb&nbsp;<\/i><strong><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/105-1131.pdf\">105-113<\/a><\/span><\/strong><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Laura Cilento.<\/b><\/span> <span style=\"color: #dd2283;\"><i>Peque\u00f1os relatos para grandes p\u00fablicos: las biograf\u00edas sint\u00e9ticas de Borges en la revista \u00abEl Hogar\u00bb&nbsp;<\/i><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/114-1271.pdf\">114-127<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Ishak Farag Fahim.<\/b> <\/span><span style=\"color: #dd2283;\"><i>Cinco f\u00f3rmulas de metamorfosis en la narrativa de <\/i><\/span><\/h6>\n<h6><span style=\"color: #dd2283;\"><i>Silvina Ocampo&nbsp;<\/i><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/128-1422.pdf\">128-142<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Alice Favaro.<\/b> <\/span><span style=\"color: #dd2283;\"><i>E<\/i><i>studio acerca de una transposici\u00f3n: de \u00abLa salud de los enfermos\u00bb a \u00abMentiras piadosas\u00bb&nbsp;<\/i><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/143-1581.pdf\">143-158<\/a><\/strong><\/span><\/span><i><\/i><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Liliana Massara.<\/b><\/span> <span style=\"color: #dd2283;\">\u00ab<i>Eva Per\u00f3n, alumna de Nervo\u00bb: escritura de artificios culturales, de voces y de memorias,&nbsp; en el territorio del lenguaje&nbsp;<\/i><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/159-1701.pdf\">159-170<\/a><\/strong><\/span><\/span><i><\/i><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Guy Merlin Nana Tadoun.<\/b><\/span> <span style=\"color: #dd2283;\"><i>Postmodernidad y feminismo en la obra po\u00e9tica de la venezolana Lydda Franco Far\u00edas&nbsp;<\/i><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/171-1831.pdf\">171-183<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Jos\u00e9 L. Nogales-Baena.<\/b><\/span><span style=\"color: #dd2283;\"> <i>Intertextualidad en la narrativa breve de Sergio Pitol: \u00abNocturno de Bujara\u00bb&nbsp;<\/i><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/184-1971.pdf\">184-197<\/a><\/strong><\/span><\/span><\/h6>\n<p>&nbsp;<\/p>\n<h6><\/h6>\n<h6><span style=\"color: #ffffff;\"><b>ENTREVISTAS<\/b><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Emilia Deffis.<\/b><\/span>&nbsp;<span style=\"color: #dd2283;\"><i>Mar\u00eda Teresa Andruetto, entre lecturas y escrituras <\/i><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/198-2091.pdf\">198-209<\/a><\/strong><strong>&nbsp;<\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Giuseppe Gatti Riccardi.<\/b><\/span>&nbsp;<span style=\"color: #dd2283;\"><i>Literatura transfronteriza y experiencia de la otredad.<\/i> <i>Entrevista a Leonardo Rossiello Ram\u00edrez&nbsp;<\/i><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/210-2171.pdf\">210-217<\/a><\/strong><\/span><\/span><i><\/i><\/h6>\n<p>&nbsp;<\/p>\n<h6><\/h6>\n<h6><\/h6>\n<h6><\/h6>\n<h6><span style=\"color: #ffffff;\"><b>CREACI\u00d3N<\/b><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Jos\u00e9 Donoso \/ Silvio Caiozzi<\/b> <b>(CHILE).<\/b><\/span> <span style=\"color: #dd2283;\">Di\u00e1logos originales de <em>La luna en el espejo<\/em>&nbsp;(in\u00e9ditos)&nbsp;<strong><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/218-2701.pdf\">218-270<\/a><\/span><\/strong><\/span><\/h6>\n<h6><span style=\"color: #dd2283;\"><span style=\"color: #1ae4d8;\"><b>Mario Mel\u00e9ndez (CHILE)<\/b> <\/span><i>El mago de la soledad<\/i>&nbsp;<span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/271-2771.pdf\">271-277<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Fernando Sorrentino (ARGENTINA)<\/b> <\/span><span style=\"color: #dd2283;\">\u00abLa biblioteca de Mabel\u00bb&nbsp;<span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/278-2851.pdf\">278-285<\/a><\/strong><\/span><\/span><\/h6>\n<p>&nbsp;<\/p>\n<h6><\/h6>\n<h6><span style=\"color: #ffffff;\"><b>RESE\u00d1AS&nbsp;<\/b><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Giuseppe Gatti Riccardi.<\/b><\/span><span style=\"color: #d42a86;\">&nbsp;<em>La experiencia italiana de Miguel \u00c1ngel Asturias (1959-1973). cartas del Premio Nobel a Giuseppe Bellini<\/em> de Patrizia Spinato Bruschi&nbsp;<strong><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/286-2881.pdf\">286-288<\/a>&nbsp;&nbsp;<\/span><\/strong><\/span><\/h6>\n<h6><span style=\"color: #0af4d3;\"><b>Marta Scagnoli.<\/b> <\/span><span style=\"color: #d42a86;\"><i>Sincretismos heterog\u00e9neos: transformaci\u00f3n religiosa en Am\u00e9rica Latina y el Caribe <\/i>de Alessandra Ciattini y Carlos Miguel Salazar&nbsp;<span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/289-2921.pdf\">289-292<\/a><\/strong><\/span><\/span><\/h6>\n<h6><strong><span style=\"color: #11eecf;\">Jorgelina San Pedro \/ Marisa Mart\u00ednez P\u00e9rsico.<\/span><\/strong>&nbsp;<span style=\"color: #d42a86;\"><i>Entre el laberinto y el exilio. Nuevas propuestas sobre la narrativa argentina&nbsp;<\/i>de Daniel Nemrava<span style=\"color: #ffffff;\"><strong> <a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/293-296.pdf\">293-296<\/a>&nbsp;<\/strong><\/span><\/span><\/h6>\n<h6><strong><span style=\"color: #11eecf;\">Marisa Mart\u00ednez P\u00e9rsico.<span style=\"color: #f9059c;\">&nbsp;<\/span><\/span><\/strong><span style=\"color: #d42a86;\"><i>El escritor en su para\u00edso. Treinta grandes autores que fueron bibliotecarios. Pr\u00f3logo de Mario Vargas Llosa<\/i>&nbsp;de \u00c1ngel Esteban <span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2014\/11\/297-302.pdf\">297-302<\/a>&nbsp;<\/strong><\/span><\/span><\/h6>\n<h6><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>ISSN&nbsp;2420-918X&nbsp; &nbsp;Asignaci\u00f3n ISSN&nbsp;definitiva PRESENTACI\u00d3N &nbsp;1-6 &nbsp;&nbsp; &nbsp; EL HIPOGRIFO HISP\u00c1NICO Carlos Ram\u00edrez Vuelvas. Entre la diplomacia y la imaginaci\u00f3n: el mexicano Juan de Dios Peza en Espa\u00f1a&nbsp;7-19 Pablo Rojas S\u00e1nchez. Alfredo de Villaci\u00e1n en su vuelo de \u00cdcaro&nbsp;20-37 &nbsp; ESTUDIOS &hellip; <a href=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=506\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v14.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>02 [2014] - Cuadernos del Hipogrifo<\/title>\n<meta name=\"robots\" content=\"index, follow\" \/>\n<meta name=\"googlebot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"bingbot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=506\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"02 [2014] - Cuadernos del Hipogrifo\" \/>\n<meta property=\"og:description\" content=\"ISSN&nbsp;2420-918X&nbsp; &nbsp;Asignaci\u00f3n ISSN&nbsp;definitiva PRESENTACI\u00d3N &nbsp;1-6 &nbsp;&nbsp; &nbsp; EL HIPOGRIFO HISP\u00c1NICO Carlos Ram\u00edrez Vuelvas. Entre la diplomacia y la imaginaci\u00f3n: el mexicano Juan de Dios Peza en Espa\u00f1a&nbsp;7-19 Pablo Rojas S\u00e1nchez. Alfredo de Villaci\u00e1n en su vuelo de \u00cdcaro&nbsp;20-37 &nbsp; ESTUDIOS &hellip; Sigue leyendo &rarr;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=506\" \/>\n<meta property=\"og:site_name\" content=\"Cuadernos del Hipogrifo\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-18T07:09:15+00:00\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/\",\"name\":\"Cuadernos del Hipogrifo\",\"description\":\"REVISTA SEMESTRAL DE LITERATURA HISPANOAMERICANA Y COMPARADA\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.revistaelhipogrifo.com\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/?page_id=506#webpage\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/?page_id=506\",\"name\":\"02 [2014] - Cuadernos del Hipogrifo\",\"isPartOf\":{\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\"},\"datePublished\":\"2014-11-14T17:37:37+00:00\",\"dateModified\":\"2024-09-18T07:09:15+00:00\",\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.revistaelhipogrifo.com\/?page_id=506\"]}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/506"}],"collection":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=506"}],"version-history":[{"count":70,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/506\/revisions"}],"predecessor-version":[{"id":2555,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/506\/revisions\/2555"}],"wp:attachment":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}