{"id":736,"date":"2015-07-19T18:33:33","date_gmt":"2015-07-19T17:33:33","guid":{"rendered":"http:\/\/www.revistaelhipogrifo.com\/?page_id=736"},"modified":"2024-09-18T08:09:36","modified_gmt":"2024-09-18T07:09:36","slug":"numero-3-1er-semestre-2015","status":"publish","type":"page","link":"https:\/\/www.revistaelhipogrifo.com\/?page_id=736","title":{"rendered":"03 [2015]"},"content":{"rendered":"<h4 style=\"text-align: right;\"><span style=\"color: #ffffff;\"><em>&nbsp;<\/em><em><strong>ISSN&nbsp;2420-918X&nbsp;<\/strong><\/em><\/span><\/h4>\n<h4 class=\"entry-title\"><\/h4>\n<h6><span style=\"color: #ffffff;\"><b>EL HIPOGRIFO HISP\u00c1NICO<\/b><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Iv\u00e1n Alonso.<\/strong><\/span><span style=\"color: #de217c;\"><em> Blas Infante: el improvisado amigo andaluz de Roberto Arlt. Presencia del Andalucismo hist\u00f3rico en las Aguafuertes espa\u00f1olas <\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/1-151.pdf\">1-15<\/a><\/strong><\/span><em>&nbsp;<\/em><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Lilia Sol\u00f3rzano Esqueda.<\/strong><\/span> <span style=\"color: #de217c;\"><i>\u00ab<\/i><em>Segrel<i>\u00bb<\/i>, una curiosidad de espa\u00f1oles e hijos de espa\u00f1oles en M\u00e9xico&nbsp;<\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/16-27.pdf\">16-27<\/a><\/strong><\/span><\/span><\/h6>\n<h6><\/h6>\n<p>&nbsp;<\/p>\n<h5><\/h5>\n<h5><span style=\"color: #ffffff;\"><b>ESTUDIOS MARECHALIANOS<\/b><\/span><\/h5>\n<h6><span style=\"color: #14dbbd;\"><strong>Francisco Jos\u00e9 Figuerola.<\/strong> <\/span><span style=\"color: #de217c;\"><em>Semblanza de Leopoldo Marechal. Carta a Mar\u00eda de los \u00c1ngeles Marechal&nbsp;<\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/28-291.pdf\">28-29<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>M\u00f3nica Montes Betancourt.<\/strong> <\/span><span style=\"color: #de217c;\">Geometr\u00eda de ascensos y descensos en la poes\u00eda temprana de Leopoldo Marechal&nbsp;<span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/30-45.pdf\">30-45<\/a><\/strong><\/span><\/span><\/h6>\n<p>&nbsp;<\/p>\n<h6><\/h6>\n<h6><\/h6>\n<h6><\/h6>\n<h6><span style=\"color: #ffffff;\"><b>EL HIPOGRIFO IT\u00c1LICO<\/b><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Mara Donat.<\/strong><\/span> <span style=\"color: #de217c;\"><em>Cuerpo y mandala: un camino compartido por la palabra po\u00e9tica de Octavio Paz y Andrea Zanzotto&nbsp;<\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/46-611.pdf\">46-61<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Anna Marras. <\/strong><\/span><span style=\"color: #de217c;\"><em>Il mondo della delinquenza spagnola: studio sul gergo dell&#8217;emarginazione <\/em><strong><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/62-86.pdf\">62-86<\/a>&nbsp;&nbsp;<\/span><\/strong><\/span><\/h6>\n<h6><\/h6>\n<h6><\/h6>\n<p>&nbsp;<\/p>\n<h6><\/h6>\n<h6><\/h6>\n<h6><span style=\"color: #ffffff;\"><b>MISCEL\u00c1NEA&nbsp;<\/b><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Monica Di Girolamo.<\/strong> <\/span><em><span style=\"color: #de217c;\">La visi\u00f3n cosmol\u00f3gica de los mayas: la herencia de los libros sagrados&nbsp;<\/span><\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/87-981.pdf\">87-98<\/a><\/strong><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Francesca Di Meglio<\/strong>.<\/span> <em><span style=\"color: #de217c;\">Paraguay, paradiso fittizio&nbsp;<\/span><\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/99-1101.pdf\">99-110<\/a><\/strong><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Ma\u00efmouna Sankh\u00e9.<\/strong><\/span> <em><span style=\"color: #de217c;\">El Negrismo en Cuba y Venezuela: identidad de clase y mestizaje como f\u00f3rmulas de integraci\u00f3n social&nbsp;<\/span><\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/111-1231.pdf\">111-123<\/a><\/strong><\/span><\/h6>\n<p>&nbsp;<\/p>\n<h6><span style=\"color: #ffffff;\">&#8211; &#8211; &#8211; &#8211; <em><strong>ESPECIAL LITERATURA MEXICANA&nbsp;<\/strong><\/em><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Ricardo Cadena Sol\u00eds.<\/strong><\/span><em><span style=\"color: #de217c;\"> Los contempor\u00e1neos, editores: el caso de la revista \u00abExamen\u00bb, de Jorge Cuesta&nbsp;<\/span><\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/124-1351.pdf\">124-135<\/a><\/strong><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Roc\u00edo Mart\u00ednez Vel\u00e1zquez.<\/strong><\/span> <span style=\"color: #de217c;\"><em>Est\u00e9ticas de la narrativa mexicana en la era de la globalizaci\u00f3n&nbsp;<\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/136-147.pdf\">136-147<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>V\u00edctor Manuel Sanchis Amat.<\/strong><\/span> <span style=\"color: #de217c;\"><em>La ciudad se qued\u00f3 sola: recuperaciones de la historia mexicana en algunos poemas de Jos\u00e9 Emilio Pacheco y Homero Aridjis&nbsp;<\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/148-1611.pdf\">148-161<\/a><\/strong><\/span><\/span><\/h6>\n<h6><\/h6>\n<p>&nbsp;<\/p>\n<h6><span style=\"color: #ffffff;\">&#8211; &#8211; &#8211; &#8211; <em><strong>ESPECIAL LITERATURA ARGENTINA&nbsp;<\/strong><\/em><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Mar\u00eda Claudia Gonz\u00e1lez Sosa.<\/strong> <\/span><span style=\"color: #de217c;\"><em>\u00abLas panteras y el templo\u00bb de Abelardo Castillo, colecci\u00f3n de relatos integrados&nbsp;<\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/162-174.pdf\">162-174<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #de217c;\"><span style=\"color: #14dbbd;\"><strong>Mart\u00edn Lombardo.<\/strong><\/span> <em>Destino y verdad en la autobiograf\u00eda de Luis Gusm\u00e1n&nbsp;<\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/175-188.pdf\">175-188<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Djibril Mbaye.<\/strong><\/span> <span style=\"color: #de217c;\"><em>La tradici\u00f3n picaresca en \u00abMart\u00edn Fierro<i>\u00bb&nbsp;<\/i><\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/189-201.pdf\">189-201<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Liliana P\u00e9golo.<\/strong><\/span> <span style=\"color: #de217c;\"><em>\u00abMedea\u00bb de H\u00e9ctor Schujman: de la tragedia al melodrama&nbsp;<\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/202-211.pdf\">202-211<\/a><\/strong><\/span><\/span><\/h6>\n<h6><strong><span style=\"color: #14dbbd;\">Diana Ram\u00edrez Pedraza.<\/span> <\/strong><span style=\"color: #de217c;\"><em>El mito en la obra de Cort\u00e1zar: la reelaboraci\u00f3n del eterno retorno en \u00abUna flor amarilla\u00bb&nbsp;<\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/212-224.pdf\">212-224<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Amelia Royo.<\/strong> <\/span><span style=\"color: #de217c;\"><em>Avatares del teatro pol\u00edtico. Acerca de \u00abEl Ni\u00f1o Argentino\u00bb de Mauricio Kartun&nbsp;<\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/225-232.pdf\">225-232<\/a><\/strong><\/span><\/span><\/h6>\n<h6><\/h6>\n<p>&nbsp;<\/p>\n<h6><\/h6>\n<h6><span style=\"color: #ffffff;\"><b>CREACI\u00d3N<\/b><\/span><\/h6>\n<h6><\/h6>\n<h6><strong><span style=\"color: #14dbbd;\">Liliana Bellone<\/span> <span style=\"color: #14dbbd;\">(ARGENTINA).<\/span><\/strong> <span style=\"color: #de217c;\"><em>\u00ab<\/em><em>La costura de Hortensia\u00bb&nbsp;<\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/233-241.pdf\">233-241<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Alfredo P\u00e9rez Alencart (PER\u00da\/ESPA\u00d1A).<\/strong><\/span> <span style=\"color: #de217c;\"><em>Tres poemas in\u00e9ditos&nbsp;<\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/242-244.pdf\">242-244<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Leonardo Rossiello (URUGUAY)<\/strong>.<\/span> <span style=\"color: #de217c;\"><em>\u00abEl \u00fanico\u00bb y otros cuentos&nbsp;<\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/245-248.pdf\">245-248<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Laura Scarano (ARGENTINA).<\/strong><\/span> <em><span style=\"color: #de217c;\">\u00abBrev\u00edsima relaci\u00f3n del desconcierto\u00bb y \u00abUna muerte de luz\u00bb <\/span><\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/249-253.pdf\">249-253<\/a>&nbsp;<\/strong><\/span><\/h6>\n<h6><\/h6>\n<p>&nbsp;<\/p>\n<h6><span style=\"color: #ffffff;\"><b>RESE\u00d1AS&nbsp;<\/b><\/span><\/h6>\n<h6><\/h6>\n<h6><strong><span style=\"color: #14dbbd;\">Fernanda E. Bravo Herrera.<\/span> <\/strong><em><span style=\"color: #de217c;\">Diario de viaje a Oriente (1850-51) y otras cr\u00f3nicas del viaje oriental, <\/span><\/em><span style=\"color: #de217c;\">de Lucio V. Mansilla.&nbsp;<\/span><em><span style=\"color: #de217c;\">Edici\u00f3n, introducci\u00f3n y notas de Mar\u00eda Rosa Lojo&nbsp;<\/span><\/em><span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/254-2571.pdf\">254-257<\/a><\/strong><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Giuseppe Gatti Riccardi.<\/strong> <\/span><span style=\"color: #de217c;\"><em>Ensayos Selectos<\/em>, de Virgilio Pi\u00f1era. Edici\u00f3n y selecci\u00f3n de Gema Areta Marig\u00f3&nbsp;<span style=\"color: #ffffff;\"><strong><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/258-261.pdf\">258-261<\/a><\/strong><\/span><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Marisa Mart\u00ednez P\u00e9rsico<\/strong>.<\/span><span style=\"color: #de217c;\"> <em>La locura de Onelli<\/em>, de Leopoldo Brizuela&nbsp;<strong><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/262-2671.pdf\">262-267<\/a><\/span><\/strong><\/span><\/h6>\n<h6><span style=\"color: #14dbbd;\"><strong>Jorgelina San Pedro \/ Marisa Mart\u00ednez P\u00e9rsico.<\/strong> <\/span><span style=\"color: #de217c;\"><em>Historia de la calle Corrientes<\/em>, de Leopoldo Marechal&nbsp;<strong><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/www.revistaelhipogrifo.com\/wp-content\/uploads\/2015\/07\/268-2711.pdf\">268-271<\/a><\/span><\/strong><\/span><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;ISSN&nbsp;2420-918X&nbsp; EL HIPOGRIFO HISP\u00c1NICO Iv\u00e1n Alonso. Blas Infante: el improvisado amigo andaluz de Roberto Arlt. Presencia del Andalucismo hist\u00f3rico en las Aguafuertes espa\u00f1olas 1-15&nbsp; Lilia Sol\u00f3rzano Esqueda. \u00abSegrel\u00bb, una curiosidad de espa\u00f1oles e hijos de espa\u00f1oles en M\u00e9xico&nbsp;16-27 &nbsp; ESTUDIOS &hellip; <a href=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=736\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v14.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>03 [2015] - Cuadernos del Hipogrifo<\/title>\n<meta name=\"robots\" content=\"index, follow\" \/>\n<meta name=\"googlebot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"bingbot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=736\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"03 [2015] - Cuadernos del Hipogrifo\" \/>\n<meta property=\"og:description\" content=\"&nbsp;ISSN&nbsp;2420-918X&nbsp; EL HIPOGRIFO HISP\u00c1NICO Iv\u00e1n Alonso. 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