{"id":831,"date":"2015-12-15T10:41:26","date_gmt":"2015-12-15T09:41:26","guid":{"rendered":"http:\/\/www.revistaelhipogrifo.com\/?page_id=831"},"modified":"2024-09-18T08:09:56","modified_gmt":"2024-09-18T07:09:56","slug":"numero-4-2do-semestre-2015","status":"publish","type":"page","link":"https:\/\/www.revistaelhipogrifo.com\/?page_id=831","title":{"rendered":"04 [2015]"},"content":{"rendered":"
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ISSN 2420-918X <\/strong><\/em><\/span><\/h5>\n<\/header>\n

\/\/\/ EL HIPOGRIFO HISP\u00c1NICO<\/b><\/span><\/h4>\n

Vicente de Jes\u00fas Fern\u00e1ndez Mora.<\/strong> <\/span>El Homenaje de Revueltas a Lorca. Un encuentro entre m\u00fasica y poes\u00eda, arte y pol\u00edtica, nacionalismo y universalismo <\/em>1-18<\/a><\/strong><\/span><\/span><\/h4>\n

Anna Marras.<\/span><\/strong> Un joven fauno robusto <\/em>y violento. Ricerca sulla poesia panica di Salvador Rueda 19-44<\/a><\/strong><\/span><\/span><\/h4>\n

Laura Scarano.<\/span><\/strong> \u00ab<\/em>Aquel t\u00edmido Luis\u2026\u00bb Garc\u00eda Montero en los bordes del nombre <\/em>45-73<\/a><\/strong><\/span><\/span><\/h4>\n
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\/\/\/ ESTUDIOS MARECHALIANOS<\/b><\/span><\/h5>\n

Ana Mar\u00eda Davis Gonz\u00e1lez.<\/span> <\/strong>El viaje de Lisandro Far\u00edas: un recorrido de descenso y ascenso en \u00abEl Banquete de Severo Arc\u00e1ngelo\u00bb <\/em>74-87<\/a><\/strong><\/span><\/span><\/h4>\n
Mirko Olivati.<\/span><\/strong> Incidenza e importanza delle figure del fl\u00e2neur nell\u2019opera di Roberto Arlt e Leopoldo Marechal <\/em>88-107<\/a><\/strong><\/span><\/span><\/h5>\n
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\/\/\/ EL HIPOGRIFO IT\u00c1LICO<\/b><\/span><\/h5>\n
\u00c1ngel de la Torre.<\/span> <\/strong>Geograf\u00eda y desdoblamiento en la poes\u00eda de Edoardo Sanguineti: algunas presencias hisp\u00e1nicas <\/em>108-115<\/a><\/strong><\/span><\/span><\/h5>\n
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\/\/\/ MONOGR\u00c1FICA<\/strong><\/span><\/h5>\n
Representaciones de lo femenino en los nuevos mitos: la bruja, la amazona, el andr\u00f3gino, el hermafrodita y Medusa <\/em><\/span><\/h5>\n
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Carole Vi\u00f1als (Coord.).<\/strong><\/span> Introducci\u00f3n <\/em>116-124<\/a><\/strong><\/span><\/span><\/h5>\n
Myl\u00e8ne Bilot.<\/strong><\/span> Drag feminity: el caso Cindy Sherman. Figuras de la metamorfosis (el travesti y el andr\u00f3gino) para acercarse a la problem\u00e1tica de g\u00e9nero en historia del arte <\/span><\/em>125-134<\/a><\/strong><\/span>
\nMar\u00eda Carrillo Espinosa.<\/span> <\/strong>Apolog\u00eda de Medusa. Significaciones corporales en \u00abEl espejo de Atenea\u00bb de Mar\u00eda Zambrano <\/em>135-143<\/a><\/strong><\/span><\/span>
\nEug\u00e9nie Romon.<\/span><\/strong> Donde nadie te encuentre: cuando la naturaleza humana obliga a escapar <\/em>144-153<\/a><\/strong><\/span><\/span>
\nDenis Vigneron.<\/span><\/strong> Hildegart Rodriguez Carballeira: la educaci\u00f3n feminista de una Amazona que no pudo ser <\/em>154-165<\/a><\/strong><\/span><\/span>
\nCarole Vi\u00f1als.<\/span><\/strong> La figura de la bruja en \u00abLos altillos de Brumal\u00bb de Cristina Fern\u00e1ndez Cubas: saber femenino y metamorfosis del mito <\/em>166-179<\/a><\/strong><\/span><\/span><\/h5>\n

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\/\/\/ MISCEL\u00c1NEA <\/b><\/span><\/h4>\n

Malva E. Filer.<\/span> <\/strong>La inserci\u00f3n de lo fant\u00e1stico en el mundo televisivo global de Sergio Bizzio <\/em>180-187<\/a><\/strong><\/span> <\/em><\/span><\/h4>\n

Juan Pablo Luppi.<\/span> <\/strong>La novela argentina fundada por un vago que silba (y dicta). \u00abPot-pourr\u00ed\u00bb de Cambaceres <\/em>188-204<\/a><\/strong><\/span><\/span><\/h4>\n

Djibril Mbaye.<\/span><\/strong> Viaje e identidad en \u00abLa liebre\u00bb de C\u00e9sar Aira <\/em>205-217<\/a><\/strong><\/span><\/span><\/h4>\n

Celina Manzoni<\/span><\/strong>.<\/span><\/strong> Leer, escribir, reescribir. Fragmento y totalidad en \u00abVista del amanecer en el tr\u00f3pico\u00bb, de Cabrera Infante <\/span><\/em>218-235<\/a><\/strong><\/span><\/h4>\n

Guy Merlin Nana Tadoun.<\/span> <\/strong>El proceso escritural de \u00abNuevo soneto para Helena\u00bb de Pablo Neruda, lector de Ronsard: la periferia poem\u00e1tica como preludio a la hipertextualidad expl\u00edcita <\/em>236-250<\/a><\/strong><\/span><\/span><\/h4>\n

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Francisca Rojas Bahamondes.<\/span> <\/strong>Colectividad, lenguaje y amor en los descampados sudamericanos de Ra\u00fal Zurita <\/em>251-267<\/a><\/strong><\/span><\/span><\/h4>\n

Roc\u00edo Mart\u00ednez Vel\u00e1zquez.<\/span> <\/strong>Los inicios de la globalizaci\u00f3n en la narrativa mexicana: la generaci\u00f3n del Crack <\/em>268-279<\/a><\/strong><\/span> <\/em><\/span><\/h4>\n

Isabel Zwanck.<\/span> <\/strong>Echeverr\u00eda, G\u00fciraldes, Piglia: coincidencias en la ficcionalizaci\u00f3n de la violencia <\/em>280-294<\/a><\/strong><\/span><\/span><\/h4>\n

\/\/\/ CREACI\u00d3N<\/b><\/span><\/h4>\n

Alberto Bejarano (COLOMBIA).<\/strong><\/span> Sue\u00f1o con Malena <\/em>295-299<\/a><\/strong><\/span><\/span><\/h4>\n

\u00c1lvaro Mata-Guill\u00e9 (COSTA RICA).<\/span> <\/strong>Un lugar sin nombre <\/em>300-303<\/a><\/strong><\/span><\/span><\/h4>\n

\/\/\/ RESE\u00d1AS <\/b><\/span><\/h4>\n
Laura Cilento.<\/span> <\/strong>La mujer que escribi\u00f3 Frankestein, <\/em>de Esther Cross 304-307<\/a><\/strong><\/span><\/span><\/h5>\n
Giuseppe Gatti Riccardi.<\/span><\/strong> Kassel no invita a la l\u00f3gica, <\/em>de Enrique Vila-Matas 308-310<\/a><\/strong><\/span><\/span><\/h5>\n
Diego Ernesto Parra.<\/span><\/strong> Fantasmas del desierto, <\/em>de Guillermo Orsi 311-313<\/a><\/strong><\/span><\/span><\/h5>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

ISSN 2420-918X  \/\/\/ EL HIPOGRIFO HISP\u00c1NICO Vicente de Jes\u00fas Fern\u00e1ndez Mora. El Homenaje de Revueltas a Lorca. Un encuentro entre m\u00fasica y poes\u00eda, arte y pol\u00edtica, nacionalismo y universalismo 1-18 Anna Marras. Un joven fauno robusto y violento. Ricerca sulla poesia panica di … Sigue leyendo →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n04 [2015] - Cuadernos del Hipogrifo<\/title>\n<meta name=\"robots\" content=\"index, follow\" \/>\n<meta name=\"googlebot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"bingbot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=831\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"04 [2015] - Cuadernos del Hipogrifo\" \/>\n<meta property=\"og:description\" content=\"ISSN 2420-918X  \/\/\/ EL HIPOGRIFO HISP\u00c1NICO Vicente de Jes\u00fas Fern\u00e1ndez Mora. El Homenaje de Revueltas a Lorca. Un encuentro entre m\u00fasica y poes\u00eda, arte y pol\u00edtica, nacionalismo y universalismo 1-18 Anna Marras. Un joven fauno robusto y violento. Ricerca sulla poesia panica di … Sigue leyendo →\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=831\" \/>\n<meta property=\"og:site_name\" content=\"Cuadernos del Hipogrifo\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-18T07:09:56+00:00\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/\",\"name\":\"Cuadernos del Hipogrifo\",\"description\":\"REVISTA SEMESTRAL DE LITERATURA HISPANOAMERICANA Y COMPARADA\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.revistaelhipogrifo.com\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/?page_id=831#webpage\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/?page_id=831\",\"name\":\"04 [2015] - Cuadernos del Hipogrifo\",\"isPartOf\":{\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\"},\"datePublished\":\"2015-12-15T09:41:26+00:00\",\"dateModified\":\"2024-09-18T07:09:56+00:00\",\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.revistaelhipogrifo.com\/?page_id=831\"]}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/831"}],"collection":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=831"}],"version-history":[{"count":80,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/831\/revisions"}],"predecessor-version":[{"id":2557,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/831\/revisions\/2557"}],"wp:attachment":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}