{"id":961,"date":"2016-07-24T17:53:36","date_gmt":"2016-07-24T16:53:36","guid":{"rendered":"http:\/\/www.revistaelhipogrifo.com\/?page_id=961"},"modified":"2024-09-18T08:10:34","modified_gmt":"2024-09-18T07:10:34","slug":"numero-5-1er-semestre-2015","status":"publish","type":"page","link":"https:\/\/www.revistaelhipogrifo.com\/?page_id=961","title":{"rendered":"05 [2016]"},"content":{"rendered":"
ISSN 2420-918X <\/strong><\/em><\/span><\/h5>\n
\/\/\/ EL HIPOGRIFO HISP\u00c1NICO<\/strong><\/span><\/h5>\n
Alessio Sgriscia.<\/strong> <\/span>Una poetica d\u2019autore. <\/em>Traduzione e commento di tre poesie tratte da <\/em>\u00ab<\/em>Gli occhi del pellicano<\/em>\u00bb<\/em> e <\/em>\u00ab<\/em>Ragioni per fuggire da una fredda citt\u00e0<\/em>\u00bb<\/em> di Fernando Valverde <\/em>1-14<\/a><\/span><\/strong><\/span><\/h5>\n

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\/\/\/ ESTUDIOS MARECHALIANOS<\/strong><\/span><\/h5>\n
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Javier Mercado.<\/strong><\/span> La guerra como camino espiritual. A prop\u00f3sito de las dos gestas de Megaf\u00f3n <\/span><\/em>15-30<\/a><\/strong><\/span> <\/em><\/h5>\n
Alberto Gabriel Pi\u00f1eiro.<\/strong><\/span> Sobre infiernos, malevos y trifulcas <\/em>31-44<\/a><\/span><\/strong><\/span><\/h5>\n
Marisa Mart\u00ednez P\u00e9rsico.<\/strong><\/span> M\u00e1s teatro in\u00e9dito de Leopoldo Marechal. Esbozos conceptuales de <\/em>\u00ab<\/em>El arquitecto del honor<\/em>\u00bb <\/em>y <\/em>\u00ab<\/em>Cordelia y Delgadina<\/em>\u00bb<\/em> <\/em>45-52<\/a><\/strong><\/span><\/span><\/h5>\n

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\/\/\/ EL HIPOGRIFO IT\u00c1LICO<\/strong><\/span><\/h5>\n
 <\/strong>Juan Pablo P\u00e1ez.<\/strong><\/span> Mudar de lengua, cambiar de nombre. Entrevista a Gigliola Zecchin, \u00abCanela\u00bb <\/span><\/em>53-58<\/a><\/span><\/strong><\/h5>\n

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\/\/\/ MISCEL\u00c1NEA <\/strong><\/span><\/h5>\n
Nicol\u00e1s Balutet.<\/strong><\/span> El feminismo h\u00edbrido de Laura Esquivel en <\/em>\u00ab<\/em>Como agua para chocolate<\/em>\u00bb <\/em>59-80<\/a><\/strong><\/span><\/span><\/h5>\n
Ricardo Camarena Castellanos.<\/strong><\/span> \u00ab<\/em>En estado de memoria<\/em>\u00bb<\/em>, de Tununa Mercado: la identidad fragmentada por el exilio <\/em>81-93<\/a><\/strong><\/span><\/span><\/h5>\n
Francesca Di Meglio. <\/strong><\/span>La palabra guaran\u00ed desde el mito de los or\u00edgenes hasta la narrativa de Roa Bastos <\/em>94-108<\/a><\/strong><\/span><\/span><\/h5>\n
Ma. de Lourdes Ortiz S\u00e1nchez \/ Salvador Vera Ponce.<\/em><\/strong><\/span> La influencia del Eros plat\u00f3nico en <\/em>\u00ab<\/em>La Quijotita y su prima<\/em>\u00bb <\/em>109-122<\/a><\/strong><\/span><\/span><\/h5>\n
Jos\u00e9 Antonio Paniagua Garc\u00eda.<\/strong><\/span> La inquietud de Juan Marinello: propuestas de un intelectual <\/span><\/em>123-133<\/a><\/strong><\/span><\/h5>\n
Mar\u00eda del Carmen P\u00e9rez Vargas.<\/strong><\/span> \u00abLos poetas bajaron del Olimpo\u00bb: desmitificaci\u00f3n del h\u00e9roe literario a trav\u00e9s del humor en la poes\u00eda de Nicanor Parra <\/em>134-142<\/a><\/strong><\/span><\/span><\/h5>\n
Sara Talledo Hern\u00e1ndez. <\/strong><\/span>El viaje como elemento transformador. Flora Trist\u00e1n, de paria a revolucionaria, en \u00abEl para\u00edso en la otra esquina\u00bb<\/span> de Mario Vargas Llosa <\/em>143-163<\/a><\/strong><\/span><\/span><\/h5>\n
Jacopo Varchetta.<\/strong> <\/span>Per un\u2019analisi di \u00abLos desterrados<\/em>\u00bb<\/em> di Horacio Quiroga <\/em>164-181<\/a><\/strong><\/span><\/span><\/h5>\n

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\/\/\/ CREACI\u00d3N<\/strong><\/span><\/h5>\n
Jeannette L. Clariond (M\u00c9XICO).<\/strong> <\/span>\u00abLa t\u00eda Jeannette\u00bb y otros poemas <\/em>182-184<\/a><\/strong><\/span><\/span><\/h5>\n
Sergio Laignelet (COLOMBIA).<\/strong> <\/span>\u00abCaperucita Roja\u00bb<\/span> y otros poemas <\/em>185-187<\/a><\/strong><\/span><\/span><\/h5>\n
Carlos Liscano (URUGUAY).<\/strong><\/span> \u00abEl libro que falta\u00bb <\/em>188-189<\/a><\/strong><\/span><\/span><\/h5>\n
Francisco Mart\u00ednez Real (ESPA\u00d1A).<\/span> <\/strong>\u00abPaseo en el Retiro II<\/em>\u00bb<\/em> y otros poemas <\/em>190-191<\/a><\/strong><\/span><\/span><\/h5>\n
Humberto Pinedo Mendoza (PER\u00da).<\/strong> <\/span>\u00abPoemas concretos<\/em>\u00bb <\/em>192-194<\/a><\/strong><\/span><\/span><\/h5>\n

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<\/h5>\n
<\/h5>\n
\/\/\/ RESE\u00d1AS <\/strong><\/span><\/h5>\n
Fernanda Elisa Bravo Herrera.<\/strong> <\/span>Eduarda Mansilla de Garc\u00eda: Escritos period\u00edsticos completos (1860-1892), de <\/em>Marina L. Guidotti (Ed.) <\/em>195-198<\/a><\/strong><\/span><\/span><\/h5>\n
Giuseppe Gatti Riccardi.<\/strong><\/span> <\/span>Pessoa y Antonio Machado, autores en tensi\u00f3n. Los autoremas como enlaces entre literatura y sociedad<\/em>, de Liliana Swiderski <\/span><\/em>199-202<\/a><\/span><\/strong><\/span><\/span><\/h5>\n
T\u00e9non Kone.<\/strong><\/span> Avi\u00f3n de ricos, ladr\u00f3n de cerdos, de <\/em>Juan Tom\u00e1s \u00c1vila Laurel <\/em>203-208<\/a><\/strong><\/span><\/span><\/h5>\n
Marisa Mart\u00ednez P\u00e9rsico.<\/strong><\/span> El canon abierto. \u00daltima poes\u00eda en espa\u00f1ol, de Remedios S\u00e1nchez Garc\u00eda <\/em>209-211<\/a><\/strong><\/span><\/span><\/h5>\n
Diego Ernesto Parra.<\/strong><\/span> Los afectos, de Rodrigo Hasb\u00fan <\/span><\/em>212-213<\/a><\/strong><\/span><\/h5>\n","protected":false},"excerpt":{"rendered":"

ISSN 2420-918X  \/\/\/ EL HIPOGRIFO HISP\u00c1NICO Alessio Sgriscia. Una poetica d\u2019autore. Traduzione e commento di tre poesie tratte da \u00abGli occhi del pellicano\u00bb e \u00abRagioni per fuggire da una fredda citt\u00e0\u00bb di Fernando Valverde 1-14   \/\/\/ ESTUDIOS MARECHALIANOS Javier Mercado. La … Sigue leyendo →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n05 [2016] - Cuadernos del Hipogrifo<\/title>\n<meta name=\"description\" content=\"-1798\" \/>\n<meta name=\"robots\" content=\"index, follow\" \/>\n<meta name=\"googlebot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"bingbot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=961\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"05 [2016] - Cuadernos del Hipogrifo\" \/>\n<meta property=\"og:description\" content=\"-1798\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistaelhipogrifo.com\/?page_id=961\" \/>\n<meta property=\"og:site_name\" content=\"Cuadernos del Hipogrifo\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-18T07:10:34+00:00\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/\",\"name\":\"Cuadernos del Hipogrifo\",\"description\":\"REVISTA SEMESTRAL DE LITERATURA HISPANOAMERICANA Y COMPARADA\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.revistaelhipogrifo.com\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/?page_id=961#webpage\",\"url\":\"https:\/\/www.revistaelhipogrifo.com\/?page_id=961\",\"name\":\"05 [2016] - Cuadernos del Hipogrifo\",\"isPartOf\":{\"@id\":\"https:\/\/www.revistaelhipogrifo.com\/#website\"},\"datePublished\":\"2016-07-24T16:53:36+00:00\",\"dateModified\":\"2024-09-18T07:10:34+00:00\",\"description\":\"-1798\",\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.revistaelhipogrifo.com\/?page_id=961\"]}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/961"}],"collection":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=961"}],"version-history":[{"count":73,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/961\/revisions"}],"predecessor-version":[{"id":2558,"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=\/wp\/v2\/pages\/961\/revisions\/2558"}],"wp:attachment":[{"href":"https:\/\/www.revistaelhipogrifo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}